Tropes, Parables, and Performatives /
Tropes, Parables, Performatives collects J. Hillis Miller's essays on seven major twentieth-century authors: Lawrence, Kafka, Stevens, Williams, Woolf, Hardy, and Conrad. For all their evident differences, these essays from early to late explore a single intuition about literature, which may be...
Autor principal: | |
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Durham :
Duke University Press,
1991.
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Colección: | Book collections on Project MUSE.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- D.H. Lawrence: The Fox and the perspective glass
- Franz Kafka and the metaphysics of alienation
- Wallace Stevens' poetry of being
- Williams' poetry of resignation
- Thomas Hardy: a sketch for a portrait Williams' Spring and All and the progress of poetry
- History as repetition in Thomas Hardy's poetry: the example of "Wessex Heights"
- Parable and performative in the Gospels and in modern literature
- Mr Carmichael and Lily Briscoe: The rhythm of creativity in To the Lighthouse
- Thomas Hardy, Jacques Derrida, and the "Dislocation of Souls"
- Heart of Darkness revisited
- Topography and tropography in Thomas Hardy's "In Front of the Landscape"
- Impossible metaphor: (Stevens' "The Red Fern" asexample)
- When is a Primitive like an Orb?
- Prosopopoeinia Hardy and Stevens.