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The Remasculinization of Korean Cinema /
Argues that although the last two decades of Korean history were a period of progress in political democratization, the country refused to part from a "masculine point of view" which is also mirrored in Korean cinema.
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2004.
|
| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
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| 003 | MdBmJHUP | ||
| 005 | 20230905051120.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 080407s2004 ncu o 00 0 eng d | ||
| 020 | |a 9780822385585 | ||
| 020 | |z 9780822332671 | ||
| 020 | |z 9780822332787 | ||
| 035 | |a (OCoLC)1139392642 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Kim, Kyung Hyun, |d 1969- |e author. | |
| 245 | 1 | 4 | |a The Remasculinization of Korean Cinema / |c Kyung Hyun Kim. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2004. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2004. | |
| 300 | |a 1 online resource (344 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Asia-Pacific | |
| 505 | 0 | |a I. Genres of post-trauma ; 1. At the edge of a metropolis in A fine, windy day and Green fish ; 2. Nowhere to run: disenfranchised men on the road in The man with three coffins, Sopyonje, and Out to the world ; 3. "Is this how the war is remembered?": violent sex and Korean War in Silver stallion, Spring in my hometown, and The Taebaek Mountains ; 4. Post-trauma and historical remembrance in A single spark and A petal -- II. New Korean cinema auteurs ; 5. Male crisis in the early films of Park Kwang-su ; 6. Jang Sun-woo's Three "F" words: familism, fetishism, and fascism ; 7. Too early/too Late: temporality and repetition in Hong Sang-su's films -- III. Fin-de-siecle anxieties ; 8. Lethal work: domestic space and gender troubles in Happy end and The housemaid ; 9. "Each man kills the thing he loves": transgressive agents, national security, and blockbuster aesthetics in Shiri and Joint security area. | |
| 520 | |a Argues that although the last two decades of Korean history were a period of progress in political democratization, the country refused to part from a "masculine point of view" which is also mirrored in Korean cinema. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 1 | 7 | |a Mannelijkheid. |2 gtt |
| 650 | 1 | 7 | |a Filmkunst. |2 gtt |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Men in motion pictures. |2 fast |0 (OCoLC)fst01016057 | |
| 650 | 7 | |a Masculinity in motion pictures. |2 fast |0 (OCoLC)fst01011041 | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 6 | |a Masculinite au cinema. | |
| 650 | 6 | |a Hommes au cinema. | |
| 650 | 6 | |a Cinema |z Coree du Sud. | |
| 650 | 0 | |a Masculinity in motion pictures. | |
| 650 | 0 | |a Men in motion pictures. | |
| 650 | 0 | |a Motion pictures |z Korea (South) | |
| 651 | 7 | |a Korea (South) |2 fast |0 (OCoLC)fst01206791 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/68837/ |
| 945 | |a Project MUSE - Custom Collection | ||