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Telling Complexions : The Nineteenth-Century English Novel and the Blush /

"In Telling Complexions Mary Ann O'Farrell explores the frequent use of "the blush" in Victorian novels as a sign of characters' inner emotions and desires. Through lively and textured readings of works by such writers as Jane Austen, Elizabeth Gaskell, Charles Dickens, and...

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Detalles Bibliográficos
Autor principal: O'Farrell, Mary Ann (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham, N.C. : Duke University Press, 1997.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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020 |a 9780822378150 
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035 |a (OCoLC)1139385352 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a O'Farrell, Mary Ann,  |e author. 
245 1 0 |a Telling Complexions :   |b The Nineteenth-Century English Novel and the Blush /   |c Mary Ann O'Farrell. 
264 1 |a Durham, N.C. :  |b Duke University Press,  |c 1997. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©1997. 
300 |a 1 online resource (192 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 0 |g 1.  |t Austen's Blush: Pride and Prejudice --  |g 2.  |t Mortifying Persuasions, or the Worldliness of Jane Austen --  |g 3.  |t Gaskell's Blunders: North and South --  |g 4.  |t Dickens's Scar: Rosa Dartle and David Copperfield --  |g 5.  |t The Mechanics of Confusion. 
520 1 |a "In Telling Complexions Mary Ann O'Farrell explores the frequent use of "the blush" in Victorian novels as a sign of characters' inner emotions and desires. Through lively and textured readings of works by such writers as Jane Austen, Elizabeth Gaskell, Charles Dickens, and Henry James, O'Farrell illuminates literature's relation to the body and the body's place in culture. In the process, she plots a trajectory for the nineteenth-century novel's shift from the practices of manners to the mode of self-consciousness." "Although the blush was used to tell the truth of character and body, O'Farrell shows how it is actually undermined as a stable indicator of character in novels such as Pride and Prejudice, Persuasion, North and South, and David Copperfield. She reveals how the writers of these novels then moved on in search of other bodily indicators of mortification and desire, among them the swoon, the scar, and the blunder. Providing unique and creative insights into the constructedness of the body and its semiotic play in literature and in culture, Telling Complexions includes parallel examples of the blush in contemporary culture and describes ways that textualized bodies are sometimes imagined to resist the constraints imposed by such construction."--Jacket. 
546 |a English. 
588 |a Description based on print version record. 
600 1 7 |a Gaskell, Elizabeth Cleghorn,  |d 1810-1865.  |2 fast  |0 (OCoLC)fst00049315 
600 1 7 |a Dickens, Charles,  |d 1812-1870.  |2 fast  |0 (OCoLC)fst00028294 
600 1 7 |a Austen, Jane,  |d 1775-1817.  |2 fast  |0 (OCoLC)fst00032929 
600 1 6 |a Dickens, Charles,  |d 1812-1870  |x Et la psychologie. 
600 1 6 |a Gaskell, Elizabeth Cleghorn,  |d 1810-1865  |x Et la psychologie. 
600 1 6 |a Austen, Jane,  |d 1775-1817  |x Et la psychologie. 
600 1 0 |a Dickens, Charles,  |d 1812-1870  |x Knowledge  |x Psychology. 
600 1 0 |a Gaskell, Elizabeth Cleghorn,  |d 1810-1865  |x Knowledge  |x Psychology. 
600 1 0 |a Austen, Jane,  |d 1775-1817  |x Knowledge  |x Psychology. 
650 7 |a Rouge  |x Dans la litterature.  |2 ram 
650 7 |a Roman anglais  |y 19e siecle  |x Themes, motifs.  |2 ram 
650 7 |a Émotions dans la litterature.  |2 ram 
650 7 |a Roman anglais  |y 19e siecle  |x Histoire et critique.  |2 ram 
650 1 7 |a Psychologische aspecten.  |2 gtt 
650 1 7 |a Blozen.  |2 gtt 
650 1 7 |a Engels.  |2 gtt 
650 1 7 |a Romans.  |2 gtt 
650 7 |a Women and literature.  |2 fast  |0 (OCoLC)fst01177093 
650 7 |a Psychology in literature.  |2 fast  |0 (OCoLC)fst01081559 
650 7 |a Psychology.  |2 fast  |0 (OCoLC)fst01081447 
650 7 |a Psychological fiction, English.  |2 fast  |0 (OCoLC)fst01081356 
650 7 |a English fiction.  |2 fast  |0 (OCoLC)fst00910817 
650 7 |a Emotions in literature.  |2 fast  |0 (OCoLC)fst00908874 
650 7 |a Blushing in literature.  |2 fast  |0 (OCoLC)fst00835087 
650 7 |a LITERARY CRITICISM / General  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x European  |x English, Irish, Scottish, Welsh.  |2 bisacsh 
650 6 |a Émotions dans la litterature. 
650 6 |a Psychologie dans la litterature. 
650 6 |a Femmes et litterature  |z Angleterre  |x Histoire  |y 19e siecle. 
650 6 |a Roman psychologique anglais  |x Histoire et critique. 
650 6 |a Rougissement en litterature. 
650 6 |a Roman anglais  |y 19e siecle  |x Histoire et critique. 
650 0 |a Emotions in literature. 
650 0 |a Psychology in literature. 
650 0 |a Women and literature  |z England  |x History  |y 19th century. 
650 0 |a Psychological fiction, English  |x History and criticism. 
650 0 |a Blushing in literature. 
650 0 |a English fiction  |y 19th century  |x History and criticism. 
651 7 |a England.  |2 fast  |0 (OCoLC)fst01219920 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/68812/ 
945 |a Project MUSE - Custom Collection