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Inherent Vice : Bootleg Histories of Videotape and Copyright /
Examines the artistic and legal implications of videotape recording technology--from debates about fair use and copyright infringement to amateur archiving of ephemeral content.
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Duke University Press,
2009.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9780822392194 | ||
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| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Hilderbrand, Lucas, |d 1975- |e author. | |
| 245 | 1 | 0 | |a Inherent Vice : |b Bootleg Histories of Videotape and Copyright / |c Lucas Hilderbrand. |
| 264 | 1 | |a London : |b Duke University Press, |c 2009. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2009. | |
| 300 | |a 1 online resource (346 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Introduction: the aesthetics of access -- Video clip: diasporic Asian video markets in Orange County -- Be kind, rewind: the histories and erotics of home video -- Video clip: chiller theatre toy, model, and film expo -- The fairest of them all? Home video, copyright, and fair use -- The revolution was recorded: Vanderbilt television news archive, copyright in conflict, and the making of TV history -- Video clip: experimental film on video: a frameworks debate -- Grainy days and Mondays: Superstar and bootleg aesthetics -- Video clip: tape art -- Joanie and Jackie and everyone they know: video chainletters as feminist community network -- Epilogue: Youtube: where cultural memory and copyright converge. | |
| 520 | |a Examines the artistic and legal implications of videotape recording technology--from debates about fair use and copyright infringement to amateur archiving of ephemeral content. | ||
| 546 | |a In English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Urheberrecht |2 gnd | |
| 650 | 7 | |a Video |2 gnd | |
| 650 | 7 | |a Produktpiraterie |2 gnd | |
| 650 | 7 | |a Video recordings |x Social aspects |2 fast |0 (OCoLC)fst01166508 | |
| 650 | 7 | |a Video recordings |x Fair use (Copyright) |2 fast |0 (OCoLC)fst01166482 | |
| 650 | 7 | |a Video art |2 fast |0 (OCoLC)fst01166389 | |
| 650 | 7 | |a Piracy (Copyright) |2 fast |0 (OCoLC)fst01064762 | |
| 650 | 7 | |a Fair use (Copyright) |2 fast |0 (OCoLC)fst00919859 | |
| 650 | 7 | |a Copyright |x Video recordings |2 fast |0 (OCoLC)fst00878775 | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 6 | |a Piratage (Droit d'auteur) | |
| 650 | 6 | |a Art video |z États-Unis |y 20e siecle. | |
| 650 | 6 | |a Videos |x Aspect social |z États-Unis. | |
| 650 | 6 | |a Videos |x Usage loyal |z États-Unis. | |
| 650 | 0 | |a Piracy (Copyright) | |
| 650 | 0 | |a Fair use (Copyright) | |
| 650 | 0 | |a Video art |z United States |y 20th century. | |
| 650 | 0 | |a Video recordings |x Social aspects |z United States. | |
| 650 | 0 | |a Copyright |z United States. | |
| 650 | 0 | |a Video recordings |x Fair use (Copyright) |z United States. | |
| 651 | 7 | |a USA. |2 swd | |
| 651 | 7 | |a United States |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/68744/ |
| 945 | |a Project MUSE - Custom Collection | ||