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Difference and Orientation : An Alexander Kluge Reader /

Alexander Kluge is one of contemporary Germany's leading intellectuals and artists. A key architect of the New German Cinema and a pioneer of auteur television programming, he has also cowritten three acclaimed volumes of critical theory, published countless essays and numerous works of fiction...

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Detalles Bibliográficos
Autor principal: Kluge, Alexander, 1932- (Autor)
Otros Autores: Langston, Richard, 1970- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Alemán
Publicado: Ithaca : Cornell University Press and Cornell University Library, 2019.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Kluge, Alexander,  |d 1932-  |e author. 
240 1 0 |a Works.  |k Selections.  |l English 
245 1 0 |a Difference and Orientation :   |b An Alexander Kluge Reader /   |c by Alexander Kluge ; edited by Richard Langston. 
264 1 |a Ithaca :  |b Cornell University Press and Cornell University Library,  |c 2019. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©2019. 
300 |a 1 online resource (552 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Signale transfer : German thought in translation 
500 |a Includes index. 
500 |a "A Signale book." 
505 0 |a Difference and Orientation; Contents; Translator Information; List of Illustrations; Acknowledgments; Part I Introduction; The Guardian of Difference: The Essayist Alexander Kluge by Richard Langston; Part II Literature; 1. The Difference: Heinrich von Kleist (1985); 2. Storytelling Is the Representation of Differences (2001); 3. The Peacemaker (2003); 4. Companions in Now-Time (2007); 5. Storytelling Means Dissolving Relations (2008); 6. Theory of Storytelling: Lecture One (2013); 7. What Is a Metaphor? (2016); Part III Film 
505 0 |a 8. Word and Film (1965) by Edgar Reitz, Alexander Kluge, and Wilfried Reinke9. Bits of Conversation (1966); 10. The Realistic Method and the "Filmic" (1975); 11. Film: A Utopia (1983); 12. A Plan with the Force of a Battleship (2008); 13. No Farewell to Yesterday: New German Cinema from 1962 to 1981 as Seen from 2011 (2012); Part IV From Classical to New Media: Opera, Television, Internet; 14. An Answer to Two Opera Quotations (1983/84); 15. On the Expressions "Media" and "New Media": A Selection of Keywords (1984); 16. Medialization-Musealization (1990); 17. The Opera Machine (2001) 
505 0 |a 18. Primitive Diversity (2002)19. Planting Gardens in the Data Tsunami (2010); Part V Theory; 20. The Role of Fantasy (1974); 21. The Function of the Distorted Angle in the Destructive Intention (1989); 22. The Political without Its Despair: On the Concept of "Populism" (1992); 23. War (2001); 24. The Art of Drawing Distinctions (2003); 25. Critique, Up Close and Personal (2007); 26. The Actuality of Adorno (2009); 27. Inventory of a Century: On Walter Benjamin's Arcades Project (2013); 28. An Instance of Internet Telephony over the Himalayas (2016); Index 
520 |a Alexander Kluge is one of contemporary Germany's leading intellectuals and artists. A key architect of the New German Cinema and a pioneer of auteur television programming, he has also cowritten three acclaimed volumes of critical theory, published countless essays and numerous works of fiction, and continues to make films even as he expands his video production to the internet. Despite Kluge's five decades of work in philosophy, literature, television, and media politics, his reputation outside of the German-speaking world still largely rests on his films of the 1960s, 70s, and 80s. With the aim of introducing Kluge's heterogeneous mind to an Anglophone readership, Difference and Orientation assembles thirty of his essays, speeches, glossaries, and interviews, revolving around the capacity for differentiation and the need for orientation toward ways out of catastrophic modernity. This landmark volume brings together some of Kluge's most fundamental statements on literature, film, pre- and post-cinematic media, and social theory, nearly all for the first time in English translation. Together, these works highlight Kluge's career-spanning commitment to unorthodox, essayistic thinking. 
546 |a Translated from German. 
588 |a Description based on print version record. 
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650 0 |a Literature  |x History and criticism. 
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655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
700 1 |a Langston, Richard,  |d 1970-  |e editor. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
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945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2019 Complete 
945 |a Project MUSE - 2019 Film, Theater and Performing Arts