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Black and More than Black : African American Fiction in the Post Era /
"Post-Blackness. Post-Soul. Post-Black Art. New Blackness. How has the meaning of blackness changed in the twenty-first century? Cameron Leader-Picone suggests that this proliferation of terms, along with the renewed focus on questioning the relationship between individual black artists and the...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Jackson :
University Press of Mississippi,
[2019]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Leader-Picone, Cameron, |e author. | |
| 245 | 1 | 0 | |a Black and More than Black : |b African American Fiction in the Post Era / |c Cameron Leader-Picone. |
| 264 | 1 | |a Jackson : |b University Press of Mississippi, |c [2019] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2019 | |
| 264 | 4 | |c ©[2019] | |
| 300 | |a 1 online resource (230 pages). | ||
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| 490 | 0 | |a Margaret Walker Alexander series in African American studies | |
| 505 | 0 | |a Introduction: The post era -- On the blackness of post-blackness : Colson Whitehead and racial individualism -- 'Katrina is the mother we will remember until the next mother' : apocalyptic storms and the slow violence of structural racism -- 'New and better stories' : crafting a literature to fit a Barack Obama world -- The audacity of Hope Jones : Alice Randall's Rebel Yell and the idealization of Barack Obama -- A Non-American black guide to American blackness: rearticulating race through a diasporic lens -- Coda: African American literature Post-Obama. | |
| 520 | |a "Post-Blackness. Post-Soul. Post-Black Art. New Blackness. How has the meaning of blackness changed in the twenty-first century? Cameron Leader-Picone suggests that this proliferation of terms, along with the renewed focus on questioning the relationship between individual black artists and the larger black community, indicates the arrival of novel forms of black identity and black art. Leader-Picone defines these terms as significant facets of a larger "post" era, linking them with the social and political context of Barack Obama's presidency. Analyzing claims of progress associated with Obama's election and post-era thinking, Leader-Picone examines the contours of black aesthetics in the new century. To do so, he sifts through post-era African American fiction, considering both celebrations and rejections of an early twenty-first-century rhetoric of progress. As well, he maps the subsequent implications of these concepts for rearticulating racial identities. Through the works of Colson Whitehead, Alice Randall, Chimamanda Ngozi Adichie, Paul Beatty, Kiese Laymon, and Jesmyn Ward, Leader-Picone tracks how recent fiction manifests the tension between the embrace of post-civil rights era gains and the recognition of persistent structural racism. Ultimately far less triumphal than the prefix post would imply, these authors address the Black Arts Movement and revise double consciousness and other key themes from the African American literary tradition. They interrogate their relevance in an era encompassing not only the election of the nation's first black president, but also the government's failed response to Hurricane Katrina, expanding class divisions within the black community, mass incarceration, and ongoing police violence"--Provided by publisher. | ||
| 588 | |a Description based on print version record. | ||
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| 945 | |a Project MUSE - 2019 American Studies | ||