Women Artists and Patrons in the Netherlands, 1500-1700 /

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This essay collection features innovative scholarship on women artists and patrons in the Netherlands 1500-1700. Covering painting, printmaking, and patronage, authors highlight the contributions of women art makers in the Netherlands, showing that women were prominent as creators in their own time...

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Detalles Bibliográficos
Otros Autores: Sutton, Elizabeth (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2019]
Colección:Book collections on Project MUSE.
Temas:
Women artists.
Women art patrons.
ART > History > Renaissance.
Femmes mecenes > Pays-Bas > Histoire > 18e siecle.
Femmes mecenes > Pays-Bas > Histoire > 17e siecle.
Femmes mecenes > Pays-Bas > Histoire > 16e siecle.
Femmes artistes > Pays-Bas > Histoire > 18e siecle.
Femmes artistes > Pays-Bas > Histoire > 17e siecle.
Femmes artistes > Pays-Bas > Histoire > 16e siecle.
Femmes > Pays-Bas > Histoire.
Femmes artistes > Pays-Bas > Histoire.
Women artists > Netherlands > History.
Women art patrons > Netherlands > History > 18th century.
Women art patrons > Netherlands > History > 17th century.
Women art patrons > Netherlands > History > 16th century.
Women artists > Netherlands > History > 18th century.
Women artists > Netherlands > History > 17th century.
Women artists > Netherlands > History > 16th century.
Netherlands.
History.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Intro; Title; Series page; Half Title; Copy Right page; Table of Contents; List of Illustrations; Acknowledgements; 1. Introduction; Collaborative Knowledge-Making; Painters, Princesses, and Printmakers; Bibliography; About the Author; 2. Catharina Van Hemessen's Self-Portrait; A Woman Painter with an International Career; Catharina Van Hemessen's Self-Portrait in Context; A Bold Move; Talkative Tools; Palettes & Brushes; Palettes in Perspective; Theory in Flesh; Bibliography; About the Author; 3. By Candlelight; Written Accounts of Women Using Night for Creative Activities
  • Judith Leyster as an Early Innovator in Artificial LightDepicting Female Creativity in Leyster's Paintings of Women Sewing at Night; Gesina ter Borch's Interest in Nocturnal Aesthetics and Nighttime Social Narratives; Gesina ter Borch's Oeuvre and Artistic Training; Poetic Narratives of Nocturnal Romance and Aesthetic Stylization of ­Nocturnal Imagery; Women and Nighttime Socializing in Context; Gesina ter Borch's Poetry Album, Songbooks, and Female Sexuality; Ter Borch's Techniques and Experimentation with Nocturnal Visual Effects; Conclusion: Night, Women, and Creative Work; Bibliography
  • About the Author4. In Living Memory; The House of Orange in the Dutch Republic; An Integrated Plan for House and Garden; The Hollandse Tuin, or Outside Looking In; The Architectural Language of Triumph, or The Inside Looking Out; Conclusions: Built Identity and Living Memory; Bibliography; About the Author; 5. Louise Hollandine and the Art of Arachnean Critique; Historical Contexts; Ovid's Arachne and Lovelace's Louise Hollandine; Poetic Portraiture and Questions of Agency; Louise Hollandine's Ovidianism; The Poem; Bibliography; About the Author; 6. Reclaiming Reproductive Printmaking
  • Magdalena's Development as an EngraverApollo and Coronis/The Death of Procris; Rewriting Art History; Bibliography; About the Author; 7. Towards an Understanding of Mayken ­Verhulst and Volcxken Diericx1; Introduction: Erasures, Confessions, Sublimations; Verhulst and Diericx in History and the Historical Imagination; Questions, Productions, and Open Conclusions; Bibliography; About the Author; Index

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