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Treading the bawds : Actresses and playwrights on the Late Stuart stage /

Drawing on feminist cultural materialist theories and historiographies, 'Treading the bawds' analyses the collaboration between actresses Elizabeth Barry and Anne Bracegirdle and women playwrights such as Aphra Behn and Mary Pix, and traces a line of influence from the time of the first th...

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Detalles Bibliográficos
Autor principal: Bush-Bailey, Gilli (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Manchester University Press, 2006.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Bush-Bailey, Gilli,  |e author. 
245 1 0 |a Treading the bawds :   |b Actresses and playwrights on the Late Stuart stage /   |c Gilli Bush-Bailey. 
264 1 |a New York :  |b Manchester University Press,  |c 2006. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2006. 
300 |a 1 online resource (240 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Women, Theatre and Performance 
505 0 |a In the company of women -- United we stand -- Control and influence on the Late Stuart stage -- New moves, new voices -- Competition and criticism -- Re-forming the stage -- Old stories, new histories -- Certainly not a conclusion. 
520 |a Drawing on feminist cultural materialist theories and historiographies, 'Treading the bawds' analyses the collaboration between actresses Elizabeth Barry and Anne Bracegirdle and women playwrights such as Aphra Behn and Mary Pix, and traces a line of influence from the time of the first theatres royal to the rebellion that resulted in the creation of a player's co-operative. Bush-Bailey offers a fresh approach to the history of women, seeing their neglected plays in the context of performance. By combining detailed analysis of selected plays within the broader context of a playhouse managed by its leading actresses, Bush-Bailey challenges the received historical and literary canons, including a radical solution to the mysterious identity of the anonymous playwright 'Ariadne'. It is a story of female collaboration and influence with the spotlight focused on the very public world of women in the commercial business of theatre.--  |c Provided by publisher. 
546 |a English. 
588 |a Description based on print version record. 
610 2 7 |a Lincoln's Inn Fields Theatre.  |2 fast  |0 (OCoLC)fst00692243 
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650 0 |a Theater  |z England  |x History  |y 17th century. 
650 0 |a Women dramatists, English  |y Early modern, 1500-1700. 
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650 0 |a Women in the theater  |z England  |x History  |y 17th century. 
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945 |a Project MUSE - Archive History Supplement VIII