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Ghost-haunted land : Contemporary art and post-Troubles Northern Ireland /

Since the signing of the Good Friday Agreement in 1998 - the formal end-point of the thirty-year modern 'Troubles' - contemporary visual artists have offered diverse responses to post-conflict circumstances in Northern Ireland. In Ghost-Haunted Land - the first book-length examination of p...

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Detalles Bibliográficos
Autor principal: Long, Declan (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, 2017.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Long, Declan,  |e author. 
245 1 0 |a Ghost-haunted land :   |b Contemporary art and post-Troubles Northern Ireland /   |c Declan Long. 
264 1 |a Manchester :  |b Manchester University Press,  |c 2017. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
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505 0 |a Introduction -- 1. Same difference: post-Troubles contexts and contradictions -- 2. New terrains: 'Northern Irish art' in the wider world -- 3. The post-Troubles art of Willie Doherty -- 4. That which was: histories, documents, archives -- 5. Phantom publics: imagining ways of 'being together' -- Conclusion--or against conclusions. 
520 8 |a Since the signing of the Good Friday Agreement in 1998 - the formal end-point of the thirty-year modern 'Troubles' - contemporary visual artists have offered diverse responses to post-conflict circumstances in Northern Ireland. In Ghost-Haunted Land - the first book-length examination of post-Troubles contemporary art - Declan Long highlights artists who have reflected on the ongoing anxieties of aftermath. This wide-ranging study addresses developments in video, photography, painting, sculpture, performance and more, offering detailed analyses of key works by artists based in Ireland and beyond - including 2014 Turner Prize winner Duncan Campbell and internationally acclaimed filmmaker and photographer Willie Doherty. 'Post-Troubles' contemporary art is discussed in the context of both local transformations and global operations - and many of the main points of reference in the book come from broader debates about the place and purpose of contemporary art in today's world. 
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