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170814t20172017enk o 00 0 eng d |
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|a 9781526128737
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|z 152612873X
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|z 9781526100986
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|z 9781526143600
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|a (OCoLC)1119640317
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|a MdBmJHUP
|c MdBmJHUP
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|a Adjusting the contrast :
|b British television and constructs of race /
|c edited by Sarita Malik and Darrell M. Newton.
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|b Manchester University Press,
|c 2017.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2019
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|c ©2017.
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300 |
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|a 1 online resource (232 pages):
|b illustrations
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a A little Brit different? BBC America and transnational constructs of Britishness / Darrell M. Newton -- Scheduling race / Anamik Saha -- Reframing the 1950s: race and representation in recent British television: / James Burton -- Black British drama, losses and gains: the case of Shoot the Messenger / Sarita Malik -- The iconic ghetto on British television: Black representation and Top Boy / Kehinde Andrews -- Whiteness, normativity and the ongoing racial Other: imperial fictions: Doctor Who, post-racial slavery and other liberal humanist fantasies / Susana Loza -- Myth of a multicultural England in BBC's Luther / Nicole M. Jackson -- Framing The Fosters: jokes, racism and Black and Asian voices in British comedy television / Gavin Schaffer.
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|a Through contextual and textual analyses, this title explores a range of texts and practices that address the ongoing phenomenon of race and its relationship to television. Chapters explore policies and the management of race; transnationalism and racial diversity; historical questions of representation; the myth of a multicultural England, and more. Included are textual analyses of programmes such as Doctor Who, Shoot the Messenger, Desi DNA, Top Boy, and the broadcast environments that helped to create them. Other chapters scrutinise the 1950s and how immigration is reframed on contemporary television screens on programmes like Call the Midwife; the continuing myth of a multicultural England through Luther, and how comedies such as Till Death Us Do Part, cautiously framed racial tensions as laughing matters.
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|a Description based on print version record.
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650 |
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7 |
|a Television programs.
|2 fast
|0 (OCoLC)fst01147026
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650 |
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|a Television broadcasting
|x Social aspects.
|2 fast
|0 (OCoLC)fst01146764
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650 |
|
7 |
|a Race on television.
|2 fast
|0 (OCoLC)fst01923111
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650 |
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7 |
|a Minorities on television.
|2 fast
|0 (OCoLC)fst01023301
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650 |
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7 |
|a PERFORMING ARTS
|x Television
|x General.
|2 bisacsh
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650 |
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7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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650 |
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|a Television
|x Aspect social
|z Grande-Bretagne.
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650 |
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6 |
|a Émissions televisees
|z Grande-Bretagne.
|
650 |
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6 |
|a Race à la television.
|
650 |
|
6 |
|a Minorites à la television.
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650 |
|
0 |
|a Television broadcasting
|x Social aspects
|z Great Britain.
|
650 |
|
0 |
|a Television programs
|z Great Britain.
|
650 |
|
0 |
|a Race on television.
|
650 |
|
0 |
|a Minorities on television.
|
651 |
|
7 |
|a Great Britain.
|2 fast
|0 (OCoLC)fst01204623
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655 |
|
7 |
|a Electronic books.
|2 local
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700 |
1 |
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|a Newton, Darrell M.,
|e editor.
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700 |
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|a Malik, Sarita,
|e editor.
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/67225/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2019 Complete
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945 |
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|a Project MUSE - 2019 Film, Theater and Performing Arts
|