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100416s2005 aru o 00 0 eng d |
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|a 9781610752442
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|z 9781557287922
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|z 9781557287915
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|a (OCoLC)1132219614
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|a MdBmJHUP
|c MdBmJHUP
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|a Lofty Dogmas :
|b Poets on Poetics /
|c edited by Deborah Brown, Annie Finch, Maxine Kumin.
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|a Fayetteville :
|b University of Arkansas Press,
|c 2005.
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| 264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2020
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|c ©2005.
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| 300 |
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|a 1 online resource (470 pages).
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|a text
|b txt
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|a computer
|b c
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|a online resource
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|a ‡t Preface / ‡r Maxine Kumin -- ‡t Introduction : poets on poetics -- ‡t To my muse, upon her return / ‡r Moira Egan -- ‡t from Book two, Epistle III, to the Pisos / ‡r Horace -- ‡t Madly singing in the mountains / ‡r Po Chu-I -- ‡t No room for grief / ‡r Sappho -- ‡t from Astrophil and Stella / ‡r Philip Sidney -- ‡t Invocation to the Faerie Queene / ‡r Edmund Spenser -- ‡t from The marriage of heaven and hell / ‡r William Blake -- ‡t author to her book / ‡r Anne Bradstreet -- ‡t On imagination / ‡r Phillis Wheatley -- ‡t from Preface to Kubla Khan / ‡r Samuel Taylor Coleridge -- ‡t from The letters / ‡r John Keats -- ‡t from The poet / ‡r Ralph Waldo Emerson -- ‡t from Letters to a young poet / ‡r Rainer Maria Rilke -- ‡t Tradition and the individual talent / ‡r T.S. Eliot -- ‡t from Play and theory of Duende / ‡r Federico Garcia Lorca -- ‡t from Fending off the Duende / ‡r Edward Hirsch -- ‡t from Goatfoot, milktongue, twinbird : infantile origins of poetic form / ‡r Donald Hall - ‡t From Letter to Norman Holmes Pearson / ‡r H.D. -- ‡t from Coming across : establishing the intent of a poem / ‡r Maxine Kumin -- ‡t from Closing the door / ‡r Maxine Kumin -- ‡t from Stealing the language / ‡r Alicia Ostriker -- ‡t from Dancing at the devil's party / ‡r Alicia Ostriker -- ‡t from Cante Moro / ‡r Nathaniel Mackey -- ‡t Digging / ‡r Seamus Heaney -- ‡t from The spiral of memory / ‡r Joy Harjo -- ‡t from The triggering town / ‡r Richard Hugo -- ‡t "When I stand around among poets ..." / ‡r Lucille Clifton -- ‡t poet and the world, Nobel lecture, 1996 / ‡r Wislawa Szymborska -- ‡t from Towards the splendid city, Nobel lecture, 1971 / ‡r Pablo Neruda -- ‡t Diseuse / ‡r Theresa Hak Kyung Cha -- ‡t Poetry as a vessel of remembrance / ‡r Jane Hirshfield -- ‡t from Prologue to the Aetia / ‡r Callimachus -- ‡t from Book two, Troilus and Criseyde / ‡r Geoffrey Chaucer -- ‡t from Kyorai's conversations with Basho / ‡r Basho -- ‡t fit for rhyme against rhyme / ‡r Ben Jonson - ‡t From A defense of rhyme / ‡r Samuel Daniel - ‡t From Introduction to Paradise lost / ‡r John Milton -- ‡t apology / ‡r Anne Finch -- ‡t from An essay on criticism / ‡r Alexander Pope -- ‡t from Preface to lyrical ballads / ‡r William Wordsworth -- ‡t from Biographia Literaria / ‡r Samuel Taylor Coleridge -- ‡t from The philosophy of composition / ‡r Edgar Allan Poe -- ‡t from Preface to poems / ‡r Gerard Manley Hopkins -- ‡t from Remarks on poetry / ‡r Paul Valery -- ‡t poem as a field of action / ‡r William Carlos Williams -- ‡t few don'ts by an Imagiste / ‡r Ezra Pound -- ‡t from Feeling and precision / ‡r Marianne Moore -- ‡t from A general introduction for my work / ‡r William Butler Yeats -- ‡t from To Harriet Monroe, editor of poetry : a magazine of verse / ‡r Hart Crane -- ‡t from The noble rider and the sound of words / ‡r Wallace Stevens -- ‡t from Conversations on the craft of poetry with Cleanth Brooks and Robert Penn Warren / ‡r Robert Frost -- ‡t Housekeeping cages / ‡r Julia Alvarez - ‡t From Table talk, a Paris review interview with Chris Busa / ‡r Stanley Kunitz -- ‡t from Hamlet and his problems / ‡r T.S. Eliot -- ‡t from Writing / ‡r W.H. Auden -- ‡t from The virgin & the dynamo / ‡r W.H. Auden -- ‡t from The poet & the city / ‡r W.H. Auden -- ‡t On footnotes (to John Frederick Nims) / ‡r Elizabeth Bishop -- ‡t from The Negro artist and the racial mountain / ‡r Langston Hughes -- ‡t Personism : a manifesto / ‡r Frank O'Hara -- ‡t from Postscript II : notes on certain unwritten poems / ‡r Cesare Pavese -- ‡t from The pleasures of formal poetry / ‡r Louise Bogan -- ‡t from Listening and making / ‡r Robert Hass -- ‡t "I will put chaos into fourteen lines" / ‡r Edna St. Vincent Millay -- ‡t from How to write like somebody else / ‡r Theodore Roethke -- ‡t from Some remarks on rhythm / ‡r Theodore Roethke -- ‡t from Projective verse / ‡r Charles Olson -- ‡t from Ideas on the meaning of form / ‡r Robert Duncan -- ‡t from The prose poem : an alternative to verse / ‡r David Lehman -- ‡t from An interview with Daniel Kane / ‡r Fanny Howe - ‡t From Of formal, free, and fractal verse : singing the body electric / ‡r Alice Fulton -- ‡t from Moving means, meaning moves / ‡r Heather McHugh -- ‡t from More WordWorks / ‡r Richard Kostelanetz -- ‡t from A conversation with Harryette Mullen / ‡r Harryette Mullen -- ‡t from The rejection of closure / ‡r Lyn Hejinian -- ‡t from Of the sonnet and paradoxical beauties : an interview with Joyce Wilson / ‡r Rafael Campo -- ‡t from Control is the mainspring / ‡r Yusef Komunyakaa -- ‡t from Owning the masters / ‡r Marilyn Nelson -- ‡t from How pastoral : a manifesto / ‡r Lisa Robertson -- ‡t from Patriarchal poetry / ‡r Gertrude Stein -- ‡t from Coherent decentering : towards a new model of the poetic self / ‡r Annie Finch -- ‡t from Egil's saga / ‡r Anonymous -- ‡t Sonnet LV / ‡r William Shakespeare -- ‡t from The four ages of poetry / ‡r Thomas Love Peacock -- ‡t from A defence of poetry / ‡r Percy Bysshe Shelley -- ‡t dead man asks for a song / ‡r Anonymous -- ‡t from Preface to Leaves of grass 1855 / ‡r Walt Whitman -- ‡t from Song of myself, stanza 2 / ‡r Walt Whitman -- ‡t from The study of poetry / ‡r Matthew Arnold -- ‡t from To whom is the poet responsible? / ‡r Allen Tate -- ‡t from Letters to a young poet / ‡r Rainer Maria Rilke -- ‡t from The obscurity of the poet / ‡r Randall Jarrell -- ‡t from The difficulty of difficult poetry / ‡r Howard Nemerov -- ‡t from Introduction to the best American poetry, 1990 / ‡r Jorie Graham -- ‡t from The rare union : poetry and science / ‡r Muriel Rukeyser -- ‡t from Elegy of midnight / ‡r Leopold Sedar Senghor -- ‡t from Elegy of the trade winds / ‡r Leopold Sedar Senghor -- ‡t from "What would we create?" / ‡r Adrienne Rich -- ‡t from Notebook of a return to the native land / ‡r Aime Cesaire -- ‡t from Poetry is not a luxury / ‡r Audre Lorde -- ‡t from Horses with wings / ‡r Denise Levertov -- ‡t from The future of black poetry / ‡r Gwendolyn Brooks -- ‡t Against national poetry month as such / ‡r Charles Bernstein - ‡t From And may he be bilingual / ‡r Judith Ortiz Cofer -- ‡t from Interview with Marie Jordan / ‡r Li-Young Lee -- ‡t from Lights in the windows / ‡r Naomi Shihab Nye -- ‡t from Why poetry today? / ‡r Richard Jackson -- ‡t from The Antilles : fragments of epic memory : Nobel Prize lecture, 1992 / ‡r Derek Walcott -- ‡t Nobel Prize lecture, 1980 / ‡r Czeslaw Milosz.
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| 588 |
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|a Description based on print version record.
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| 650 |
|
7 |
|a Poetry.
|2 fast
|0 (OCoLC)fst01067691
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| 650 |
|
7 |
|a Poetics.
|2 fast
|0 (OCoLC)fst01067682
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| 650 |
|
7 |
|a Literature
|x Philosophy.
|2 fast
|0 (OCoLC)fst01000005
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| 650 |
|
7 |
|a LITERARY CRITICISM
|x General.
|2 bisacsh
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| 650 |
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6 |
|a Poesie
|v Collections.
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| 650 |
|
6 |
|a Poetique.
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| 650 |
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0 |
|a Literature
|x Philosophy.
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| 650 |
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0 |
|a Poetry
|v Collections.
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| 650 |
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0 |
|a Poetics.
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| 655 |
|
7 |
|a Collections.
|2 fast
|0 (OCoLC)fst01424032
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| 655 |
|
7 |
|a Electronic books.
|2 local
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| 700 |
1 |
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|a Kumin, Maxine,
|d 1925-2014,
|e editor.
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| 700 |
1 |
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|a Finch, Annie,
|d 1956-
|e editor.
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| 700 |
1 |
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|a Brown, Deborah,
|d 1948-
|e editor.
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| 710 |
2 |
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|a Project Muse.
|e distributor
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| 830 |
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|a Book collections on Project MUSE.
|
| 856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/67158/
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| 945 |
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|a Project MUSE - Custom Collection
|
| 945 |
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|a Project MUSE - Archive Complete Supplement VIII
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| 945 |
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|a Project MUSE - Archive Literature Supplement VIII
|
