Cargando…

After August : Blues, August Wilson, and American Drama /

"After August argues that August Wilson was foremost a bluesman working in drama, and that recognizing his blues techniques reveals American drama's fascination with the process of defining the self in collaboration with community. The book reads Wilson's Century Cycle plays alongside...

Descripción completa

Detalles Bibliográficos
Autor principal: Maley, Patrick, 1981- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Charlottesville : University of Virginia Press, 2019.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a22000004a 4500
001 musev2_67149
003 MdBmJHUP
005 20230905050919.0
006 m o d
007 cr||||||||nn|n
008 181211s2019 vau o 00 0 eng d
010 |z  2018059205 
020 |a 9780813943022 
020 |z 9780813942995 
035 |a (OCoLC)1079400952 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Maley, Patrick,  |d 1981-  |e author. 
245 1 0 |a After August :   |b Blues, August Wilson, and American Drama /   |c Patrick Maley. 
264 1 |a Charlottesville :  |b University of Virginia Press,  |c 2019. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©2019. 
300 |a 1 online resource (250 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Introduction: identity, performance, and the American dramatic tradition -- Part I. Blues dramaturgy. Blues and the social human -- "I am the blues": August Wilson as bluesman -- August Wilson's blues -- Part II. Performance, identity, and reimagining American drama. "God a'mighty, I be lonesomer'n ever!": Eugene O'Neill's aesthetic of whiteness -- "Laws of silence don't work": Tennessee Williams and the problem of sexualized masculinity -- August Wilson's legacy and its limits: worrying the line in Katori Hall and Tarell Alvin McCraney. 
520 |a "After August argues that August Wilson was foremost a bluesman working in drama, and that recognizing his blues techniques reveals American drama's fascination with the process of defining the self in collaboration with community. The book reads Wilson's Century Cycle plays alongside the cultural history of blues music, as well as the work of Eugene O'Neill, Tennessee Williams, Katori Hall, Lynn Nottage, and Suzan-Lori Parks, examining these dramatists' efforts to establish a sustainable identity for the self within social terrain that is often oppressive of racial, gendered, and sexual identity"--  |c Provided by publisher. 
588 |a Description based on print version record. 
600 1 7 |a Wilson, August.  |2 fast  |0 (OCoLC)fst00139110 
600 1 1 |a Wilson, August  |x Criticism and interpretation. 
600 1 0 |a Wilson, August  |x Criticism and interpretation. 
650 7 |a Identity (Psychology) in literature.  |2 fast  |0 (OCoLC)fst00966910 
650 7 |a Historical drama, American.  |2 fast  |0 (OCoLC)fst00957916 
650 7 |a Blues (Music) in literature.  |2 fast  |0 (OCoLC)fst00835070 
650 7 |a American drama.  |2 fast  |0 (OCoLC)fst00806998 
650 7 |a African Americans in literature.  |2 fast  |0 (OCoLC)fst00799727 
650 7 |a SOCIAL SCIENCE  |x Ethnic Studies  |x African American Studies.  |2 bisacsh 
650 6 |a Theâtre americain  |y 20e siecle  |x Histoire et critique. 
650 6 |a Identite (Psychologie) dans la litterature. 
650 6 |a Blues dans la litterature. 
650 6 |a Noirs americains dans la litterature. 
650 0 |a American drama  |y 20th century  |x History and criticism. 
650 0 |a Identity (Psychology) in literature. 
650 0 |a Blues (Music) in literature. 
650 0 |a African Americans in literature. 
650 0 |a Historical drama, American  |x History and criticism. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/67149/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2019 Complete 
945 |a Project MUSE - 2019 Literature