Cargando…

Splinters Are Children of Wood /

"The wildly unrestrained poems in Splinters Are Children of Wood, Leia Penina Wilson's second collection and winner of the Ernest Sandeen Prize in Poetry, pose an increasingly desperate question about what it means to be a girl, the ways girls are shaped by the world, as well as the role m...

Descripción completa

Detalles Bibliográficos
Autor principal: Wilson, Leia Penina (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Notre Dame, Indiana : University of Notre Dame Press, [2019]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a22000004a 4500
001 musev2_67010
003 MdBmJHUP
005 20230905050910.0
006 m o d
007 cr||||||||nn|n
008 190607s2019 inu o 00 0 eng d
010 |z  2019023574 
020 |a 9780268106201 
020 |z 9780268106195 
020 |z 9780268106171 
020 |z 9780268106188 
035 |a (OCoLC)1104859662 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Wilson, Leia Penina,  |e author. 
240 1 0 |a Poems.  |k Selections 
245 1 0 |a Splinters Are Children of Wood /   |c Leia Penina Wilson. 
264 1 |a Notre Dame, Indiana :  |b University of Notre Dame Press,  |c [2019] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©[2019] 
300 |a 1 online resource (126 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Ernest Sandeen prize in poetry 
505 0 |a Cover; Half Title; Series Page; Title; Copyright; Epigraph; Contents; Am I the World or the Gurl; I Appear Seeking Revenge for the Destruction of those Children; You must always Feed from the Bodies; End Notes & Debts (of Love) 
520 |a "The wildly unrestrained poems in Splinters Are Children of Wood, Leia Penina Wilson's second collection and winner of the Ernest Sandeen Prize in Poetry, pose an increasingly desperate question about what it means to be a girl, the ways girls are shaped by the world, as well as the role myth plays in this coming of age quest. Wilson, an afakasi Samoan poet, divides the book into three sections, linking the poems in each section by titles. In this way the poems act as a continuous song, an ode, or a lament revivifying a narrative that refuses to adopt a storyline. Samoan myths and Western stories punctuate this volume in a search to reconcile identity and education. The lyrical declaration is at once an admiration of love and self-loathing. She kills herself. Resurrects herself. Kills herself again. She is also killed by the world. Resurrected. Killed again. These poems map displacement, discontent, and an increasing suspicion of the world itself, or the ways people learn the world. Drawing on the work of Bhanu Kapil, Anne Waldman, Alice Notley, and Mei-mei Berssenbrugge, Wilson's poems reveal familiarity and strangeness, invocation and accusation. Both ritual and ruination, the poems return again and again to desire, myth, the sacred, and body"--  |c Provided by publisher. 
586 |a Ernest Sandeen Prize in Poetry, 2019 
588 |a Description based on print version record. 
650 7 |a Children's poetry, American.  |2 fast  |0 (OCoLC)fst00856347 
650 0 |a Children's poetry, American. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/67010/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2019 Complete 
945 |a Project MUSE - 2019 Poetry, Fiction and Creative Non-Fiction