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New Francophone African and Caribbean Theatres /
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington :
Indiana University Press,
2010.
|
| Colección: | African expressive cultures.
Book collections on Project MUSE. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 010 | |z 2010000638 | ||
| 020 | |a 9780253004581 | ||
| 020 | |z 9780253355133 | ||
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| 040 | |a MdBmJHUP |c MdBmJHUP | ||
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| 050 | 0 | 4 | |a PQ3983 |b .C63 2010 |
| 100 | 1 | |a Conteh-Morgan, John. | |
| 245 | 1 | 0 | |a New Francophone African and Caribbean Theatres / |c John Conteh-Morgan with Dominic Thomas. |
| 264 | 1 | |a Bloomington : |b Indiana University Press, |c 2010. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2011 | |
| 264 | 4 | |c ©2010. | |
| 300 | |a 1 online resource (230 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a African expressive cultures | |
| 504 | |a Includes bibliographical references (p. [177]-194) and index. | ||
| 505 | 0 | |a Introduction : instrumentalizing performance and the Francophone postcolonial performative -- Cultural trauma and ritual re-membering : Werewere Liking's Les mains veulent dire -- The dramatist as epic performer : Eugene Dervain's Saran, ou la reine scelerate -- The power and the pleasures of dramatized narrative : Bernard Zadi Zaourou's La guerre des femmes -- Theatre as writing and voice : Patrick Chamoiseau's Manman dlo contre la fee carabosse -- Tradition instrumentalized : Elie Stephenson's O mayouri -- Militariat grotesqueries and tragic lament : Tchicaya u Tam'si's Le destin glorieux du marechal nnikon nniku, prince qu'on sort and le bal de ndinga -- From the grotesque to the fantastic : Sony Labou Tansi's Qui a mange Madame d'Avoine Bergotha? -- Exile and the failure of the nation; or, diasporic subjectivity from below : Simone Schwarz-Bart's Ton beau capitaine -- Conclusion : Francophone theatres in the age of globalization. | |
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Theater |z Caribbean, French-speaking. | |
| 650 | 0 | |a Caribbean drama (French) |x History and criticism. | |
| 650 | 0 | |a Theater |z Africa, French-speaking West. | |
| 650 | 0 | |a Theater |z Africa, French-speaking Equatorial. | |
| 650 | 0 | |a African drama (French) |x History and criticism. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Thomas, Dominic Richard David. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a African expressive cultures. | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/67/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2010 Film, Theater and Performing Arts | ||
| 945 | |a Project MUSE - 2010 Complete | ||