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20230905050907.0 |
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190718s2019 nju o 00 0 eng d |
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|a 9780691189840
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|z 9780691204796
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|z 9780691158914
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|a (OCoLC)1109390023
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040 |
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|a MdBmJHUP
|c MdBmJHUP
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1 |
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|a Lena, Jennifer C.,
|e author.
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245 |
1 |
0 |
|a Entitled :
|b Discriminating Tastes and the Expansion of the Arts /
|c Jennifer C. Lena.
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264 |
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|a Princeton, New Jersey :
|b Princeton University Press,
|c [2019]
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264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2019
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264 |
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|c ©[2019]
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300 |
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|a 1 online resource (240 pages).
|
336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Cover; Title Page; Copyright Page; Contents; Preface; Acknowledgments; 1 The Invention of American Art, 1825-1945; Museums and Symphony Orchestras; Rationalizing Governance; The Second Wave: Ballet, Modern Dance, Theater, and Opera; Early Life Exposure; What Is an "American Art"?; Heading into the Great Depression; 2 The WPA and the Opening of the American Arts; The WPA's Impact; A Cultural Democracy; The Long Arm of WPA Influence: Artists, Organizations, Administrators; Conclusion; 3 The Museum of Primitive Art, 1940-1982; Nelson Rockefeller, Art Collector
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|a Primitive and Modern: Frontiers of Legitimacy in the MidcenturyInventing the Field of Primitive Art; Influencing the Postcolonial Art World; Move to the Met; Primitive Art and Artistic Legitimation; Conclusion; 4 Opportunity Structures; Economic, Political, and Technological Change; Changes to Regulations; Changes within Arts Nonprofits; Changes to Funding; Conclusion; 5 Expansion: 1900-2000; Building a Model of Aesthetic Legitimation; Conclusion; 6 Cultural Appropriation; Cosmopolitanism; Slumming; Monet's Kimono; Chinatown Plaid; Conclusion; 7 Conclusion
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505 |
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|a Twentieth-Century American Artistic Legitimation, in BriefTrajectories; Aesthetic Continuities across Legitimizing Fields; Alliances with Legitimate Fields; People Power; Appropriation from Outside; Never Art: Kitsch; Partial Legitimation: Designer Toys; Appendix: Methodological Appendix; Notes; Works Cited; Index
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520 |
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|a "This book examines the process by which the American arts expanded, over the course of more than a century, to include not just "classical" arts like opera and portraiture, but forms of folk, vernacular, and popular culture"--
|c Provided by publisher
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588 |
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|a Description based on print version record.
|
650 |
|
7 |
|a Arts and society.
|2 fast
|0 (OCoLC)fst00817856
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650 |
|
7 |
|a Art and popular culture.
|2 fast
|0 (OCoLC)fst00815422
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650 |
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7 |
|a Art, American.
|2 fast
|0 (OCoLC)fst00815895
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650 |
|
7 |
|a SOCIAL SCIENCE
|x Sociology
|x General.
|2 bisacsh
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650 |
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6 |
|a Art americain.
|
650 |
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6 |
|a Art et culture populaire
|z États-Unis.
|
650 |
|
6 |
|a Arts et societe
|z États-Unis.
|
650 |
|
0 |
|a Art, American.
|
650 |
|
0 |
|a Art and popular culture
|z United States.
|
650 |
|
0 |
|a Arts and society
|z United States.
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
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655 |
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7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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|a Book collections on Project MUSE.
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856 |
4 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/66953/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2019 Complete
|
945 |
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|a Project MUSE - 2019 History
|