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190729s2019 vau o 00 0 eng d |
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|a 9780813942858
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|z 9780813942841
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|a (OCoLC)1108545919
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|a MdBmJHUP
|c MdBmJHUP
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|a PN3340
|b .B53 2019
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|a 808.3
|2 23
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|a Black, Scott,
|d 1964-
|e author.
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|a Without the Novel :
|b Romance and the History of Prose Fiction /
|c Scott Black.
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|a Baltimore, Maryland :
|b Project Muse,
|c 2019
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|a Baltimore, Md. :
|b Project MUSE,
|c 2019
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|c ©2019
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|a 1 online resource (220 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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500 |
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|a Issued as part of book collections on Project MUSE.
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|a Includes bibliographical references (pages 183-197) and index.
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|a Introduction : romance and the turbulence of literary history -- Reading mistakes in Heliodorus -- The Origins of Romance -- Romance redivivus -- The adventures of love in Tom Jones -- Tristram Shandy's strange loops of reading -- Stasis and static in The wanderer -- Coda : reading romance.
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|a Access restricted to authorized users and institutions.
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|a No genre manifests the pleasure of reading--and its power to consume and enchant--more than romance. In suspending the category of the novel to rethink the way prose fiction works, Without the Novel demonstrates what literary history looks like from the perspective of such readerly excesses and adventures. Rejecting the assumption that novelistic realism is the most significant tendency in the history of prose fiction, Black asks three intertwined questions: What is fiction without the novel? What is literary history without the novel? What is reading without the novel? In answer, this study draws on the neglected genre of romance to reintegrate eighteenth-century British fiction with its classical and Continental counterparts. Black addresses works of prose fiction that self-consciously experiment with the formal structures and readerly affordances of romance: Heliodorus's Ethiopian Story, Cervantes's Don Quixote, Fielding's Tom Jones, Sterne's Tristram Shandy, and Burney's The Wanderer. Each text presents itself as a secondary, satiric adaptation of anachronistic and alien narratives, but in revising foreign stories each text also relays them. The recursive reading that these works portray and demand makes each a self-reflexive parable of romance itself. Ultimately, Without the Novel writes a wider, weirder history of fiction organized by the recurrences of romance and informed by the pleasures of reading that define the genre.
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|a Description based on print version record.
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650 |
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|a English fiction
|x History and criticism.
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650 |
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|a Reality in literature.
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650 |
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|a Adventure stories
|x History and criticism.
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650 |
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|a Romance fiction
|x History and criticism.
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650 |
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|a Romances
|x History and criticism.
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650 |
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|a Fiction
|x History and criticism.
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655 |
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|a Electronic books.
|2 local
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2 |
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|a Project Muse,
|e distributor.
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1 |
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|i Print version:
|w (DLC) 2019006671
|z 0813942845
|z 9780813942841
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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|a Book collections on Project MUSE.
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856 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/66831/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2019 Complete
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945 |
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|a Project MUSE - 2019 Literature
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