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The Fourth Estate at the Fourth Wall : Newspapers on Stage in July Monarchy France /

"New media are often greeted with suspicion by older media. When the commercial press arrived in France, in 1836, popular theater critiqued its corruption, its diluted politics, and its tendency to orient its content towards the lowest common denominator. July Monarchy plays, which provided aff...

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Detalles Bibliográficos
Autor principal: Hollinshead-Strick, Cary (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chicago : Northwestern University Press, 2019.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Hollinshead-Strick, Cary,  |e author. 
245 1 4 |a The Fourth Estate at the Fourth Wall :   |b Newspapers on Stage in July Monarchy France /   |c Cary Hollinshead-Strick. 
264 1 |a Chicago :  |b Northwestern University Press,  |c 2019. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©2019. 
300 |a 1 online resource (199 pages). 
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505 0 |a Intro; Contents; Acknowledgments; Introduction; Chapter 1: The Press Personified; Chapter 2: Do New Media Encourage Scandalmongering? The View from 1838; Chapter 3: From Beaumarchais to Scribe, Balzac's Concrete Publicity; Chapter 4: Papers That Block the Light; Chapter 5: Paper as Moral Fiber; Conclusion; Appendix 1: Plays about the Press (1836-1848); Appendix 2: Prospectus, Cesar Birotteau; Notes; Bibliography; Index 
520 |a "New media are often greeted with suspicion by older media. When the commercial press arrived in France, in 1836, popular theater critiqued its corruption, its diluted politics, and its tendency to orient its content towards the lowest common denominator. July Monarchy plays, which provided affordable entertainment to a broader section of the public than even new newspapers did, constitute a large, nearly untapped reservoir of commentary on the arrival of the forty-franc press. Vaudevilles and comedies ask whether journalism that benefits from advertisement can be unbiased. Dramas explore whether the threat of spreading fake news is an acceptable way for journalists to exercise their influence. Both plays and novels suggest that media that claim to enlighten can sometimes obscure public access to information. Balzac's interventions in this media sphere reveal his utopian views on print technology. Nerval's and Pyat's demonstrate the nefarious impact that corrupt theater critics could have on authors and on the public alike. Scholars of press and media studies, French literature, theater, and nineteenth-century literature more generally will find this book a valuable introduction to a cross-genre debate about press publicity that remains surprisingly resonant today"--Provided by publisher 
588 |a Description based on print version record. 
650 7 |a Theater and society.  |2 fast  |0 (OCoLC)fst01149315 
650 7 |a Press and journalism in literature.  |2 fast  |0 (OCoLC)fst01896086 
650 7 |a Press.  |2 fast  |0 (OCoLC)fst01075837 
650 7 |a French drama.  |2 fast  |0 (OCoLC)fst00934265 
650 7 |a PERFORMING ARTS  |x General.  |2 bisacsh 
650 6 |a Presse dans la litterature. 
650 6 |a Presse  |z France  |x Histoire  |y 19e siecle. 
650 6 |a Theâtre et societe  |z France  |x Histoire  |y 19e siecle. 
650 6 |a Theâtre français  |y 19e siecle  |x Histoire et critique. 
650 0 |a Press and journalism in literature. 
650 0 |a Press  |z France  |x History  |y 19th century. 
650 0 |a Theater and society  |z France  |x History  |y 19th century. 
650 0 |a French drama  |y 19th century  |x History and criticism. 
651 7 |a France.  |2 fast  |0 (OCoLC)fst01204289 
651 6 |a France  |x Histoire  |y 1830-1848 (Louis-Philippe) 
651 0 |a France  |x History  |y Louis Philippe, 1830-1848. 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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