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Sonic Time Machines : Explicit Sound, Sirenic Voices, and Implicit Sonicity /

Our studies of aesthetics and knowledge have long tended to privilege the visual - at the expense, Wolfgang Ernst argues, of the aural. 'Sonic Time Machines' aims to correct that, presenting a striking new approach to theorising sound that investigates its split existence: as a temporal ef...

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Detalles Bibliográficos
Autor principal: Ernst, Wolfgang, 1959- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2016]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Ernst, Wolfgang,  |d 1959-  |e author. 
245 1 0 |a Sonic Time Machines :   |b Explicit Sound, Sirenic Voices, and Implicit Sonicity /   |c Wolfgang Ernst. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c [2016] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©[2016] 
300 |a 1 online resource (160 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Recursions 
505 0 |a Content; Preface; Foreword: Wolfgang Ernst's Media-archaeological soundings / Liam Cole Young; Part I -- Definitions of Sonicity and the Sonic Time Machine; 1. Introduction: On 'sonicity'; 2. Beeing as 'Stimmung'; 3. Sonic re-presencing; 4. The sonic computer; Part II -- Cultural Soundings and Their Engineering; 5. Resonance of siren songs: Experimenting cultural sonicity; 6. Textual sonicity: Technologizing oral poetry; Part III -- Techno-Sonicity and Its Beeing-In-Time; 7. History or resonance?; 8. From sound signal to alphanumeric symbol; 9. Rescued from the archive: Archaeonautics of sound. 
505 0 |a 10. Sonic analytics Notes; Works cited; Index. 
520 8 |a Our studies of aesthetics and knowledge have long tended to privilege the visual - at the expense, Wolfgang Ernst argues, of the aural. 'Sonic Time Machines' aims to correct that, presenting a striking new approach to theorising sound that investigates its split existence: as a temporal effect in a techno-cultural context and as a source of knowledge and information. Ernst creates a new term for the concept at the heart of the book, "sonicity," a flexible and powerful term that allows him to consider sound with all its many physical, philosophical, and cultural valences 
588 |a Description based on print version record. 
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650 7 |a SOCIAL SCIENCE  |x Popular Culture.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Anthropology  |x Cultural.  |2 bisacsh 
650 7 |a POLITICAL SCIENCE  |x Public Policy  |x Cultural Policy.  |2 bisacsh 
650 6 |a Son dans les medias. 
650 6 |a Musique  |x Philosophie et esthetique. 
650 0 |a Sound in mass media. 
650 0 |a Music  |x Philosophy and aesthetics. 
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830 0 |a Book collections on Project MUSE. 
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945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement IX 
945 |a Project MUSE - Archive Film, Theater and Performing Arts Supplement IX