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190228t20192019ne o 00 0 eng d |
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|a 9789048537778
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|a (OCoLC)1088722741
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|a MdBmJHUP
|c MdBmJHUP
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|a Berry Drago, Elisabeth,
|e author.
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|a Painted Alchemists :
|b Early Modern Artistry and Experiment in the Work of Thomas Wijck /
|c Elisabeth Berry Drago.
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|a Amsterdam :
|b Amsterdam University Press,
|c [2019]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2021
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|c ©[2019]
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|a 1 online resource (320 pages):
|b illustrations (some color), portraits
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Amsterdam studies in the Dutch golden age
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|t Introduction --
|t 1. Curiosity and Convention --
|t 2. Thomas Wijck, "Artful" and "Ingenious" --
|t 3. Wijck's Alchemical Artisans --
|t 4. An Experiment in Haarlem --
|t 5. The Artist's Laboratories Abroad --
|t 6. The Master of Nature --
|t Epilogue.
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|a Thomas Wijck's painted alchemical laboratories were celebrated in his day as "artful" and "ingenious." They fell into obscurity along with their subject, as alchemy came to be viewed as an occult art or a fool's errand. But these unusual pictures challenge our understanding of early modern alchemy--and of the deeper relationship between chemical workshops and the artists who represented them. The work of artists, like the work of alchemists, contained intellectual-creative and manual-material aspects. Both alchemists and artists claimed a special status owing to their creative powers. Wijck's formation of an artistic and professional identity around alchemical themes reveals his desire to explore this curious territory, and ultimately to demonstrate art's superior claims to knowledge and mastery over nature. This book explores one artist's transformation of alchemy and its materials into a reputation for virtuosity--and what his work can teach us about the experimental early modern world.--
|c Provided by publisher
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|a In English.
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|a Description based on print version record.
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|a Wyck, Thomas,
|d approximately 1616-1677
|x Criticism and interpretation.
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|a Wyck, Thomas,
|d approximately 1616-1677
|x Themes, motives.
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1 |
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|a Wyck, Thomas,
|d approximately 1616-1677
|x Themes, motives.
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1 |
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|a Wyck, Thomas,
|d approximately 1616-1677
|x Criticism and interpretation.
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650 |
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|a Themes, motives.
|2 fast
|0 (OCoLC)fst01355139
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650 |
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|a Painting, Dutch.
|2 fast
|0 (OCoLC)fst01050779
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650 |
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|a Alchemy in art.
|2 fast
|0 (OCoLC)fst00804257
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650 |
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|a Alchemy.
|2 fast
|0 (OCoLC)fst00804245
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|a ART
|x History
|x General.
|2 bisacsh
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|a Alchimie
|x Histoire.
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|a Alchimie dans l'art.
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|a Alchemy
|x History.
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|a Painting, Dutch
|x History
|y 17th century.
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|a Alchemy in art.
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|a Critiques d'art.
|2 rvmgf
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|a Art criticism.
|2 lcgft
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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|a Art criticism.
|2 fast
|0 (OCoLC)fst02003312
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655 |
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|a Electronic books.
|2 local
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|a Wyck, Thomas,
|d approximately 1616-1677.
|t Paintings.
|k Selections.
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/66636/
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|a Project MUSE - Custom Collection
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|a Project MUSE - Archive Complete Supplement IX
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945 |
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|a Project MUSE - Archive History Supplement IX
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