Building Musical Culture in Nineteenth-Century Amsterdam : The Concertgebouw /

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When people attend classical music concerts today, they sit and listen in silence, offering no audible reactions to what they're hearing. We think of that as normal-but, as Darryl Cressman shows in this book, it's the product of a long history of interrelationships between music, social no...

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Detalles Bibliográficos
Autor principal: Cressman, Darryl (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, 2016.
Colección:Book collections on Project MUSE.
Temas:
Concertgebouw (Amsterdam, Netherlands)
Concerts.
ARCHITECTURE > General.
HISTORY > Europe > Western.
Concerts > Pays-Bas > Amsterdam > Histoire > 19e siecle.
Concerts > Netherlands > Amsterdam > History > 19th century.
Netherlands > Amsterdam.
History.
Electronic books.
Acceso en línea:Texto completo

MARC

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020 |a 9789048528462 
020 |z 9789089649485 
035 |a (OCoLC)1227050538 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Cressman, Darryl,  |e author. 
245 1 0 |a Building Musical Culture in Nineteenth-Century Amsterdam :   |b The Concertgebouw /   |c darryl Cressman. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c 2016. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©2016. 
300 |a 1 online resource (197 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Cover -- Table of Contents -- List of Illustrations -- Acknowledgements -- 1. The Concert Hall as a Medium of Musical Culture -- 2. Listening, Attentive Listening, and Musical Meaning -- 3. Patronage, Class, and Buildings for Music: Aristocratic Opera Houses and Bourgeois Concert Halls -- 4. Acoustic Architecture before Science: Designing the Sound of the Concertgebouw -- 5. Frisia Non Cantat: The Unmusicality of the Dutch -- 6. Listening to Media History -- Works Cited -- Index of Names -- Index of Subjects. 
520 8 |a When people attend classical music concerts today, they sit and listen in silence, offering no audible reactions to what they're hearing. We think of that as normal-but, as Darryl Cressman shows in this book, it's the product of a long history of interrelationships between music, social norms, and technology. Using the example of Amsterdam's Concertgebouw in the nineteenth century, Cressman shows how its design was in part intended to help discipline and educate concert audiences to listen attentively - and analysis of its creation and use offers rich insights into sound studies, media history, science and technology studies, classical music, and much more. 
588 |a Description based on print version record. 
610 2 7 |a Concertgebouw (Amsterdam, Netherlands)  |2 fast  |0 (OCoLC)fst00719243 
610 2 0 |a Concertgebouw (Amsterdam, Netherlands) 
650 7 |a Concerts.  |2 fast  |0 (OCoLC)fst00874069 
650 7 |a ARCHITECTURE  |x General.  |2 bisacsh 
650 7 |a HISTORY  |z Europe  |x Western.  |2 bisacsh 
650 6 |a Concerts  |z Pays-Bas  |z Amsterdam  |x Histoire  |y 19e siecle. 
650 0 |a Concerts  |z Netherlands  |z Amsterdam  |x History  |y 19th century. 
651 7 |a Netherlands  |z Amsterdam.  |2 fast  |0 (OCoLC)fst01204180 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/66591/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement IX 
945 |a Project MUSE - Archive History Supplement IX 

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