Cargando…
Cinema and Narrative Complexity : Embodying the Fabula /
Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies--including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approa...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
2017.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_66378 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905050832.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 180216s2017 ne o 00 0 eng d | ||
| 010 | |z 2017410013 | ||
| 020 | |a 9789048530250 | ||
| 020 | |z 9789462980778 | ||
| 035 | |a (OCoLC)1281934763 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Hven, Steffen, |e author. | |
| 245 | 1 | 0 | |a Cinema and Narrative Complexity : |b Embodying the Fabula / |c Steffen Hven. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c 2017. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2021 | |
| 264 | 4 | |c ©2017. | |
| 300 | |a 1 online resource (264 pages): |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Film culture in transition | |
| 505 | 0 | |a Cinema in the interstices -- Narrative ambiguity in the classical cinema -- Modern(ist) cinema: logic of the encounter -- Towards the embodied fabula -- The complexity of complex narratives -- Memento and the embodied fabula. | |
| 520 | |a Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies--including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approaches, including Stage Fright and Hiroshima, Mon Amour, to show how they reveal the limitations of most of our usual tools for analyzing film. In light of that, Steffen Hven argues for the deployment of an 'embodied' reconfiguration of the cinematic experience, one that allows us to rethink such core constituents of narrative understanding as cognition, emotion, and affect. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Erzähltechnik |2 gnd | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a PERFORMING ARTS / Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / General |2 bisacsh | |
| 650 | 6 | |a Cinema |x Histoire. | |
| 650 | 0 | |a Motion pictures |x History. | |
| 630 | 0 | 7 | |a Bibel |p Philemonbrief |2 gnd |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/66378/ |
| 945 | |a Project MUSE - Custom Collection | ||