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The Webcam as an Emerging Cinematic Medium /
All the world's a stage - literally so, given the ubiquitous presence of webcams recording daily life in cities. This footage, allegedly documentary, recreates cities as cinematic environments as people interact with the multitudes of cameras and screens around them. Paula Albuquerque's or...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2018]
|
| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 180625s2018 ne o 00 0 eng d | ||
| 020 | |a 9789048536733 | ||
| 020 | |z 9789462985582 | ||
| 035 | |a (OCoLC)1041854234 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Albuquerque, Paula, |e author. | |
| 245 | 1 | 4 | |a The Webcam as an Emerging Cinematic Medium / |c Paula Albuquerque. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2018] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©[2018] | |
| 300 | |a 1 online resource (250 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Film culture in transition | |
| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Ackowledgments -- |t Introduction -- |t 1. Video Surveillance versus the Affected Personal Cam -- |t 2. Post-Panopticism and the Attention Economy -- |t 3. From Cinematographic to Cinematic Apparatus -- |t 4. Cinematic Chronotopes : The Temporality of the Cinematic Mode of Existence of the Webcams -- |t 5. Webcams and the Archive -- |t 6. Appropriating the Cinematic Apparatus -- |t Conclusion -- |t Bibliography -- |t List of Images -- |t Index of Authors -- |t Index of Makers -- |t Index of Subjects / Artworks |
| 520 | 8 | |a All the world's a stage - literally so, given the ubiquitous presence of webcams recording daily life in cities. This footage, allegedly documentary, recreates cities as cinematic environments as people interact with the multitudes of cameras and screens around them. Paula Albuquerque's original research and experimental films, presented in this groundbreaking book, expose fictionalising elements in archival webcams and explore video surveillance as an urban condition that influences both perceptions of the past and visions of the future. | |
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Motion pictures |x Philosophy. |2 fast |0 (OCoLC)fst01027348 | |
| 650 | 7 | |a Motion pictures |x Aesthetics. |2 fast |0 (OCoLC)fst01027288 | |
| 650 | 7 | |a SOCIAL SCIENCE |x General. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 6 | |a Cinema |x Esthetique. | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 0 | |a Motion pictures |x Aesthetics. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/66349/ |
| 945 | |a Project MUSE - Custom Collection | ||