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Late Bresson and the Visual Arts : Cinema, Painting and Avant-Garde Experiment /
Critics have largely neglected the color films of French film director Robert Bresson (1901?99). To correct that oversight, this study presents a revised and revitalized Bresson, comparing his style to innovations in abstract painting after World War II, exploring his affinities with such avant-gard...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2018]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 181109t20182018ne o 00 0 eng d | ||
| 020 | |a 9789048533992 | ||
| 020 | |z 9789462983649 | ||
| 035 | |a (OCoLC)1062360868 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Watkins, Raymond, |e author. | |
| 245 | 1 | 0 | |a Late Bresson and the Visual Arts : |b Cinema, Painting and Avant-Garde Experiment / |c Raymond Watkins |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2018] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©[2018] | |
| 300 | |a 1 online resource (298 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Film culture in transition | |
| 505 | 0 | |a Bresson's debt to painting: iconography, lighting, color, and framing practices -- The turn to postwar abstraction: action painting, L'Art Informel, and Le Nouveau Realisme -- Bresson's flirtation with surrealism: sexual desire, masochism, and abjection -- The design and pattern of the whole: constructivist painting and theater -- Between constructivism and minimalism: Bresson's ambivalence toward the modern | |
| 520 | 8 | |a Critics have largely neglected the color films of French film director Robert Bresson (1901?99). To correct that oversight, this study presents a revised and revitalized Bresson, comparing his style to innovations in abstract painting after World War II, exploring his affinities with such avant-garde traditions as surrealism, constructivism, and minimalism, and illustrating how his embodied style leads to a complex form of intermediality. Through that analysis, Raymond Watkins shows clearly that Bresson still has a good deal to teach us about cinema?s distinctive ability to draw on painting, photography, sculpture, and the plastic arts in general | |
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Bresson, Robert. |2 fast |0 (OCoLC)fst00015247 |
| 600 | 1 | 1 | |a Bresson, Robert |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Bresson, Robert |x Criticism and interpretation. |
| 650 | 7 | |a Avant-garde (Aesthetics) |2 fast |0 (OCoLC)fst00824280 | |
| 650 | 7 | |a Art and motion pictures. |2 fast |0 (OCoLC)fst00815412 | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 6 | |a Art et cinema. | |
| 650 | 0 | |a Avant-garde (Aesthetics) | |
| 650 | 0 | |a Art and motion pictures. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/66306/ |
| 945 | |a Project MUSE - Custom Collection | ||