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Farocki/Godard : Film as Theory /

This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Pantenburg, Volker, 1973- (Autor)
Autor Corporativo: Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie
Otros Autores: Turnbull, Michael, 1959- (Traductor)
Formato: Electrónico eBook
Idioma:Inglés
Alemán
Publicado: Baltimore, Maryland : Project Muse, 2019
Colección:Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; Bd. 25.
Film culture in transition.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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041 1 |a eng  |h ger 
050 4 |a PN1998.3.F365  |b P3613 2015 
082 0 |a 791 
100 1 |a Pantenburg, Volker,  |d 1973-  |e author. 
240 1 0 |a Film als Theorie.  |l English 
245 1 0 |a Farocki/Godard :   |b Film as Theory /   |c Volker Pantenburg ; translated by Micheal Turnbull. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2019 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©2019 
300 |a 1 online resource (348 pages):   |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a IKKM books ;  |v volume 25 
490 0 |a Film Culture in Transition 
500 |a "Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso. 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages 263-275) and indexes. 
505 0 |a Introduction: Two Image Researchers -- 1. Le film qui pense: Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush -- Film and Painting: Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm -- Notes on the Essay Film -- 4. Cut -- Interlude in the Editing Room: What an Editing Room is: Interface -- Montage, toujours: JLG/JLG -- 5. Taking Pictures -- Photography and Film: Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and The Inscription of War -- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory." 
588 |a Description based on print version record. 
600 1 0 |a Farocki, Harun  |x Criticism and interpretation. 
600 1 0 |a Godard, Jean-Luc,  |d 1930-  |x Criticism and interpretation. 
650 0 |a Motion pictures  |x Philosophy. 
655 7 |a Electronic books.   |2 local 
700 1 |a Turnbull, Michael,  |d 1959-  |e translator. 
710 2 |a Project Muse  |e distributor. 
710 2 |a Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie. 
776 1 8 |i Print version:  |z 9789089648914  |z 9089648917 
710 2 |a Project Muse.  |e distributor 
830 0 |a Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ;  |v Bd. 25. 
830 0 |a Film culture in transition. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/66282/