Farocki/Godard : Film as Theory /
This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Autor Corporativo: | |
Otros Autores: | |
Formato: | Electrónico eBook |
Idioma: | Inglés Alemán |
Publicado: |
Baltimore, Maryland :
Project Muse,
2019
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Colección: | Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ;
Bd. 25. Film culture in transition. Book collections on Project MUSE. |
Temas: | |
Acceso en línea: | Texto completo |
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008 | 190816r20192015ne o 00 0 eng d | ||
020 | |a 9789048527557 | ||
020 | |z 9789089648914 | ||
035 | |a (OCoLC)1112364138 | ||
040 | |a MdBmJHUP |c MdBmJHUP | ||
041 | 1 | |a eng |h ger | |
050 | 4 | |a PN1998.3.F365 |b P3613 2015 | |
082 | 0 | |a 791 | |
100 | 1 | |a Pantenburg, Volker, |d 1973- |e author. | |
240 | 1 | 0 | |a Film als Theorie. |l English |
245 | 1 | 0 | |a Farocki/Godard : |b Film as Theory / |c Volker Pantenburg ; translated by Micheal Turnbull. |
264 | 1 | |a Baltimore, Maryland : |b Project Muse, |c 2019 | |
264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2019 | |
264 | 4 | |c ©2019 | |
300 | |a 1 online resource (348 pages): |b illustrations. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 0 | |a IKKM books ; |v volume 25 | |
490 | 0 | |a Film Culture in Transition | |
500 | |a "Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso. | ||
500 | |a Issued as part of book collections on Project MUSE. | ||
504 | |a Includes bibliographical references (pages 263-275) and indexes. | ||
505 | 0 | |a Introduction: Two Image Researchers -- 1. Le film qui pense: Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush -- Film and Painting: Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm -- Notes on the Essay Film -- 4. Cut -- Interlude in the Editing Room: What an Editing Room is: Interface -- Montage, toujours: JLG/JLG -- 5. Taking Pictures -- Photography and Film: Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and The Inscription of War -- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion. | |
506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
520 | |a This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory." | ||
588 | |a Description based on print version record. | ||
600 | 1 | 0 | |a Farocki, Harun |x Criticism and interpretation. |
600 | 1 | 0 | |a Godard, Jean-Luc, |d 1930- |x Criticism and interpretation. |
650 | 0 | |a Motion pictures |x Philosophy. | |
655 | 7 | |a Electronic books. |2 local | |
700 | 1 | |a Turnbull, Michael, |d 1959- |e translator. | |
710 | 2 | |a Project Muse |e distributor. | |
710 | 2 | |a Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie. | |
776 | 1 | 8 | |i Print version: |z 9789089648914 |z 9089648917 |
710 | 2 | |a Project Muse. |e distributor | |
830 | 0 | |a Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; |v Bd. 25. | |
830 | 0 | |a Film culture in transition. | |
830 | 0 | |a Book collections on Project MUSE. | |
856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/66282/ |