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Beyond Fingal's Cave : Ossian in the Musical Imagination /
Demonstrates the profound impact of The Poems of Ossian on composers of the Romantic Era and later: Beethoven, Schubert, Mendelssohn, Brahms, Massenet, and many others.
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Rochester :
University of Rochester Press,
2019.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 005 | 20230905050817.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 190610s2019 nyu o 00 0 eng d | ||
| 020 | |a 9781787444621 | ||
| 020 | |z 9781580469456 | ||
| 035 | |a (OCoLC)1104139334 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Porter, James, |d 1937- |e author. | |
| 245 | 1 | 0 | |a Beyond Fingal's Cave : |b Ossian in the Musical Imagination / |c James Porter. |
| 264 | 1 | |a Rochester : |b University of Rochester Press, |c 2019. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2019 | |
| 264 | 4 | |c ©2019. | |
| 300 | |a 1 online resource (424 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Eastman studies in music ; |v volume 158 | |
| 505 | 0 | |a Battling critics, engaging composers : Ossian's spell -- On Macpherson's native heath : primary sources -- A culture without writing, settings without a score, Haydn without copyright, and two Oscars on stage -- "A musical piece" : Harriet Wainewright's opera Coma?ala (1792) -- Between Gluck and Berlioz : Ma?ehul's Uthal (1806) -- Fingallo e Comala (1805) and Ardano e Dartula (1825) : the Ossianic operas of Stefano Pavesi -- From Venice to Lisbon and St. Petersburg : Calto, Clato, Aganadeca, Gaulo ed Oitona, and two Fingals -- Beethoven's Ossianic manner, or, Where scholars fear to tread -- Excursus: Mendelssohn waives the rules : "Overture to the Isles of Fingal" (1832) and an "unfinished" coda -- The maiden bereft : "Colma" from Rust (1780) to Schubert (1816) -- Sca?enes lyriques sans frontia?eres : Louis Tha?eodore Gouvy's Le dernier hymne d'Ossian (1858) and Lucien Hillemacher's Fingal (1880) -- Ossian in symbolic conflict : Bernhard Hopffer's Darthula's Grabgesang (1878), Jules Bordier's Un ra?eve d'Ossian (1885), and Paul Umlauft's Agandecca (1884) -- The musical stages of "Darthula" : from Thomas Linley the Younger (ca. 1776) to Arnold Schoenberg (1903) and Armin Knab (1906) -- The cantata as drama : Joseph Jongen's Comala (1897), Jorgen Malling's Kyvala (1902), and Liza Lehmann's Leaves from Ossian (1909) -- Symphonic poem and orchestral fantasy : Alexandre Levy's Comala (1890) and Charles Villiers Stanford's Irish rhapsody no. 2: Lament for the son of Ossian (1903) -- Neo-Romanticism in Britain and America : John Laurence Seymour's "Shilric's song" (from Six Ossianic odes) and Cedric Thorpe Davie's Dirge for Cuthullin (both 1936) -- Modernity, modernism, and Ossian : Erik Chisholm's Night song of the bards (1944-51), James MacMillan's The death of Oscar (2013), and Jean Guillou's Ballade ossianique, no. 2: Les chants de Selma (1971, rev. 2005) -- Afterword: The "half-viewless harp"--secondary resonances of Ossian -- Appendix I: Title page and dedication of Harriet Wainewright's Coma?ala -- Appendix 2: French and German texts of Louis Tha?eodore Gouvy's Le dernier hymne d'Ossian -- Appendix 3: Texts of Erik Chisholm's Night song of the bards -- Appendix 4: Provisional list of musical compositions based on the poems of Ossian. | |
| 520 | |a Demonstrates the profound impact of The Poems of Ossian on composers of the Romantic Era and later: Beethoven, Schubert, Mendelssohn, Brahms, Massenet, and many others. | ||
| 588 | |a Description based on print version record. | ||
| 600 | 0 | 7 | |a Ossian, |d active 3rd century. |2 fast |0 (OCoLC)fst01839671 |
| 600 | 0 | 0 | |a Ossian, |d active 3rd century. |
| 650 | 7 | |a Romanticism in music. |2 fast |0 (OCoLC)fst01100148 | |
| 650 | 7 | |a Music. |2 fast |0 (OCoLC)fst01030269 | |
| 650 | 7 | |a LITERARY CRITICISM |x Poetry. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a romanticism (form of expression) |2 aat | |
| 650 | 6 | |a Romantisme (Musique) | |
| 650 | 6 | |a Musique |y 19e siecle |x Histoire et critique. | |
| 650 | 0 | |a Romanticism in music. | |
| 650 | 0 | |a Music |y 20th century |x History and criticism. | |
| 650 | 0 | |a Music |y 19th century |x History and criticism. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/66145/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2019 Complete | ||
| 945 | |a Project MUSE - 2019 Film, Theater and Performing Arts | ||