Subject to Reality : Women and Documentary Film /

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Revolutionary thinking around gender and race merged with new film technologies to user in a wave of women's documentaries in the 1970s. Driven by the various promises of second-wave feminism, activist filmmakers believed authentic stories about women would bring more people into an imminent re...

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Detalles Bibliográficos
Autor principal: Warren, Shilyh J., 1974- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2019]
Colección:Book collections on Project MUSE.
Temas:
Women motion picture producers and directors.
Motion pictures and women.
Feminism and motion pictures.
Documentary films.
PERFORMING ARTS > General.
LANGUAGE ARTS & DISCIPLINES > Journalism.
Cinema et femmes.
Feminisme et cinema.
Productrices et realisatrices de cinema > États-Unis.
Women motion picture producers and directors > United States.
Documentary films > United States > History > 20th century.
United States.
History.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: two real moments
  • Filming among others: Frances Flaherty and Osa Johnson
  • Anthropological visions inside and out: Zora Neale Hurston and Margaret Mead
  • Strangely familiar: autoethnography and whiteness in personal documentaries
  • Native ethnographers and feminist solidarity
  • Conclusion: when the walls come down.

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