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190521s2019 nyu o 00 0 eng d |
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|a 9780823282647
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|z 9780823282623
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|z 9780823282616
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|a (OCoLC)1101101114
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|a MdBmJHUP
|c MdBmJHUP
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|a PS374.A76
|b S457 2019
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|a Seitler, Dana,
|e author.
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|a Reading Sideways :
|b The Queer Politics of Art in Modern American Fiction /
|c Dana Seitler.
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|a First edition.
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|a Baltimore, Maryland :
|b Project Muse,
|c 2019
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|a Baltimore, Md. :
|b Project MUSE,
|c 2019
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|c ©2019
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|a 1 online resource (208 pages):
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Issued as part of book collections on Project MUSE.
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|a Includes bibliographical references and index.
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|a Strange beauty -- Small collectivity and the low arts -- The impossible art object of desire -- Willa Cather and W.E.B. Du Bois go to the opera.
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|a Access restricted to authorized users and institutions.
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|a Reading Sideways explores the pivotal role that various art forms played in American literary fiction in direct relation to the politics of gender and sexuality in works of modern American literature. It tracks the crosswise circulation of aesthetic ideas in fiction and argues that at stake in the aesthetic turn of these works was not only the theorization of aesthetic experience but also an engagement with political arguments and debates about available modes of sociability and sexual expression. To track these engagements, its author, Dana Seitler, performs a method she calls "lateral reading," a mode of interpretation that moves horizontally through various historical entanglements and across the fields of the arts to make sense of--and see in a new light--their connections, challenges, and productive frictions. Each chapter takes a different art form as its object: sculpture, portraiture, homecraft, and opera. These art forms appear in some of the major works of literature of the period central to negotiations of gender, race, and sexuality, including those by Henry James, Davis, Willa Cather, Du Bois, Sarah Orne Jewett, and Mary Wilkins Freeman. But the literary texts that each chapter of this book takes as its motivation not only include a specific art form or object as central to its politics, they also build an alternative aesthetic vocabulary through which they seek to alter, challenge, or participate in the making of social and sexual life. By cultivating a counter-aesthetics of the unfinished, the uncertain, the small, the low, and the allusive, these fictions recognize other ways of knowing and being than those oriented toward reductively gendered accounts of beauty, classed imperatives established by the norms of taste, or apolitical treatises of sexual disinterestedness. And within them--and through "reading sideways"--we can witness the coming-into-legibility of a set of diffuse practices that provide a pivot point for engaging the political methods of minoritized subjects at the turn of the twentieth century.
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|a Description based on print version record.
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650 |
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|a Gender identity in literature
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650 |
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|a Sex role in literature.
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650 |
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|a Race in literature.
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650 |
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|a Arts in literature.
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650 |
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|a American fiction
|y 20th century
|x History and criticism.
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|a Electronic books.
|2 local
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|a Project Muse,
|e distributor.
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|i Print version:
|z 9780823282623
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/65926/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2019 Complete
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945 |
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|a Project MUSE - 2019 Literature
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