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Left of Poetry : Depression America and the Formation of Modern Poetics /

"In this incisive study, Sarah Ehlers returns to the Depression-era United States in order to unsettle longstanding ideas about poetry and emerging approaches to poetics. By bringing to light a range of archival materials and theories about poetry that emerged on the 1930s left, Ehlers reimagin...

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Detalles Bibliográficos
Autor principal: Ehlers, Sarah (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chapel Hill : University of North Carolina Press, [2019]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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020 |a 9781469651309 
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035 |a (OCoLC)1097184133 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Ehlers, Sarah,  |e author. 
245 1 0 |a Left of Poetry :   |b Depression America and the Formation of Modern Poetics /   |c Sarah Ehlers. 
264 1 |a Chapel Hill :  |b University of North Carolina Press,  |c [2019] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©[2019] 
300 |a 1 online resource (308 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Cover; Contents; List of Illustrations; Acknowledgments; Introduction: The Poetic Front; Part I: Documentary; Chapter One: Photography and the Development of Radical Poetics: Langston Hughes in Haiti, Mexico, Alabama; Chapter Two: Fusing an Alloy: Muriel Rukeyser at the Limits of Poetry/Documentary; Part II: Lyric; Chapter Three: Lyric Effects: Singing the Futures of Poetry with Genevieve Taggard and Edwin Rolfe; Chapter Four: Lyric Internationalism: Jacques Roumain and His Committee; Part III: Rhythm 
505 0 |a Chapter Five: The Left Needs Rhythm: Popular Front Poetry, Antifascism, and the Counterarchives of ModernismEpilogue; Notes; Bibliography; Text Credits; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z 
520 |a "In this incisive study, Sarah Ehlers returns to the Depression-era United States in order to unsettle longstanding ideas about poetry and emerging approaches to poetics. By bringing to light a range of archival materials and theories about poetry that emerged on the 1930s left, Ehlers reimagines the historical formation of modern poetics. Offering new and challenging readings of prominent figures such as Langston Hughes and Muriel Rukeyser, and uncovering the contributions of lesser-known writers such as Jacques Roumain, Genevieve Taggard, and Martha Millet, Ehlers illuminates an aesthetically and geographically diverse matrix of schools and movements"--  |c Provided by publisher 
588 |a Description based on print version record. 
650 7 |a Poetics.  |2 fast  |0 (OCoLC)fst01067682 
650 7 |a American poetry.  |2 fast  |0 (OCoLC)fst00807348 
650 7 |a LITERARY CRITICISM  |x Poetry.  |2 bisacsh 
650 6 |a Poesie americaine  |y 20e siecle  |x Histoire et critique. 
650 6 |a Poesie americaine  |y 20e siecle  |x Histoire. 
650 6 |a Poetique  |x Histoire  |y 20e siecle. 
650 0 |a American poetry  |y 20th century  |x History and criticism. 
650 0 |a American poetry  |y 20th century  |x History. 
650 0 |a Poetics  |x History  |y 20th century. 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/65205/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2019 Complete 
945 |a Project MUSE - 2019 Poetry, Fiction and Creative Non-Fiction