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081013s2008 ncu o 00 0 eng d |
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|a 9780822392088
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|z 9781478091448
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|z 9780822340447
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|z 9780822340232
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|a (OCoLC)1132228919
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|a MdBmJHUP
|c MdBmJHUP
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|a Women's Experimental Cinema :
|b Critical Frameworks /
|c Robin Blaetz, editor.
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|a Durham :
|b Duke University Press,
|c 2007.
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264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2020
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|c ©2007.
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300 |
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|a 1 online resource (432 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Swing and sway: Marie Menken's filmic events / Melissa Ragona -- Different/same/both/neither: the polycentric cinema of Joyce Wieland / Paul Arthur -- Excavating visual fields, layering auditory frames: signature, translation, resonance, and Gunvor Nelson's films / Chris Holmlund -- Moving and moving: from minimalism to Lives of performers / Noël Carroll -- Eye/body: the cinematic paintings of Carolee Schneemann / M.M. Serra and Kathryn Ramey -- "Absently enchanted": the apocryphal, ecstatic cinema of Barbara Rubin / Ara Osterweil -- Amy Greenfield: film, dynamic movement, and transformation / Robert A. Haller -- Barbara Hammer: lyrics and history / Chuck Kleinhans -- Chick Strand's experimental ethnography / Maria Pramaggiore -- Amnesis time: the films of Marjorie Keller / Robin Blaetz -- In the ruins of the image: the works of Leslie Thornton / Mary Ann Doane -- Sounds, intervals, and startling images in the films of Abigail Child / Maureen Turim -- Peggy's playhouse: contesting the modernist paradigm / William C. Wees -- Su Friedrich: breaking the rules / Janet Cutler -- The experimental "dunyementary": a cinematic signature effect / Kathleen McHugh -- Women's experimental cinema: some pedagogical challenges / Scott MacDonald.
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|a Open Access
|f Unrestricted online access
|2 star
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|a Women's Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully.
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a Women motion picture producers and directors.
|2 fast
|0 (OCoLC)fst01178163
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650 |
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7 |
|a Experimental films.
|2 fast
|0 (OCoLC)fst00918452
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650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
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650 |
|
7 |
|a ART
|x Film & Video.
|2 bisacsh
|
650 |
|
7 |
|a Feminism & feminist theory.
|2 bicssc
|
650 |
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6 |
|a Productrices et realisatrices de cinema
|z États-Unis.
|
650 |
|
0 |
|a Women motion picture producers and directors
|z United States.
|
650 |
|
0 |
|a Experimental films
|z United States
|x History and criticism.
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651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
|
7 |
|a Electronic books.
|2 local
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700 |
1 |
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|a Blaetz, Robin,
|d 1955-
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
|
0 |
|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/65097/
|