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Male Poets and the Agon of the Mother : Contexts in Confessional and Postconfessional Poetry /

"When looking back today on the American poetry of the second half of the twentieth century, we see that for many of the major--and still dominant--poets of the period, the confessional mode was a vital force. It made--and, of course, was shaped by--Robert Lowell, whose 1959 Life Studies prompt...

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Detalles Bibliográficos
Autor principal: Saltmarsh, Hannah Baker (Autor)
Otros Autores: Gill, Jo, 1965- (writer of foreword.)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Columbia, South Carolina : The University of South Carolina Press, [2019]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Saltmarsh, Hannah Baker,  |e author. 
245 1 0 |a Male Poets and the Agon of the Mother :   |b Contexts in Confessional and Postconfessional Poetry /   |c Hannah Baker Saltmarsh ; foreword by Jo Gill. 
264 1 |a Columbia, South Carolina :  |b The University of South Carolina Press,  |c [2019] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©[2019] 
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505 0 |a Introduction: "At the center of how I think my life": my mother -- "And, moreover / my mother says": Robert Lowell, John Berryman, and confessional maternity -- "Freaked in the moon brain": Allen Ginsberg and Frank Bidart: confessing crazy mothers -- Postconfessional stories: C. K. Williams and Robert Hass on maternal breasts and mouths -- "Yellow flowers . . . with mouths like where / babies come from": Yusef Komunyakaa's innuendos, ideas, and insinuations about motherhood -- "And all this time I've stayed awake with you": romanticism in Stanley Plumly's maternal metaphor -- "I am made by her, and undone": an Anglo-American coda; or, Thom Gunn undone -- Conclusion: "You still haven't finished with your mother": men constructing a poetics of motherhood. 
520 |a "When looking back today on the American poetry of the second half of the twentieth century, we see that for many of the major--and still dominant--poets of the period, the confessional mode was a vital force. It made--and, of course, was shaped by--Robert Lowell, whose 1959 Life Studies prompted the delineation of the style. It galvanized Sylvia Plath, sustained Anne Sexton, and provided a useful countertradition even for those who never identified themselves as "confessional" (most obviously Elizabeth Bishop). It also proved fundamental to the careers of many poets of the next generation (including Thom Gunn and Sharon Olds)--even as such successors to the original "school" spent much of their time resisting, or at least rethinking, the terms of the debate"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Mothers and sons in literature.  |2 fast  |0 (OCoLC)fst01027010 
650 7 |a Motherhood in literature.  |2 fast  |0 (OCoLC)fst01026934 
650 7 |a Men and literature.  |2 fast  |0 (OCoLC)fst01742850 
650 7 |a Confession in literature.  |2 fast  |0 (OCoLC)fst00874672 
650 7 |a American poetry.  |2 fast  |0 (OCoLC)fst00807348 
650 7 |a LITERARY CRITICISM / Poetry  |2 bisacsh 
650 7 |a 1900 - 1999.  |2 ascl 
650 6 |a Hommes et litterature  |z États-Unis  |x Histoire  |y 20e siecle. 
650 6 |a Maternite dans la litterature. 
650 6 |a Meres et fils dans la litterature. 
650 6 |a Poesie americaine  |y 20e siecle  |x Histoire et critique. 
650 0 |a Men and literature  |z United States  |x History  |y 20th century. 
650 0 |a Confession in literature. 
650 0 |a Motherhood in literature. 
650 0 |a Mothers and sons in literature. 
650 0 |a American poetry  |y 20th century  |x History and criticism. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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700 1 |a Gill, Jo,  |d 1965-  |e writer of foreword. 
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