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Thomas Eakins : The Heroism of Modern Life /
Why did Thomas Eakins, now considered the foremost American painter of the nineteenth century, make portraiture his main field in an era when other major artists disdained such a choice? With a rich discussion of the cultural and vocational context of the late nineteenth and early twentieth centurie...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, N.J. :
Princeton University Press,
1983.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_64887 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905050659.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 150210s1983 nju o 00 0 eng d | ||
| 020 | |a 9781400820252 | ||
| 020 | |z 9781400819065 | ||
| 020 | |z 9780691002880 | ||
| 020 | |z 9780691040226 | ||
| 035 | |a (OCoLC)903118547 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Johns, Elizabeth, |d 1937- | |
| 245 | 1 | 0 | |a Thomas Eakins : |b The Heroism of Modern Life / |c by Elizabeth Johns. |
| 264 | 1 | |a Princeton, N.J. : |b Princeton University Press, |c 1983. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©1983. | |
| 300 | |a 1 online resource (328 pages): |b illustrations (some color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | 0 | |t Front matter -- |t Contents -- |t List of Illustration -- |t Dimensions of Eakins' Works -- |t Acknowledgments -- |t Preface -- |t Thomas Eakins -- The Heroism of Modern Life -- |t Chapter One. Eakins, Modern Life, and the Portrait -- |t Chapter Two. Max Schmitt in a Single Scull, or The Champion single Sculls -- |t Chapter Three. The Gross Clinic, or Portrait of Professor Gross -- |t Chapter Four. William Rush Craving His Allegorical Figure of the Schuylkill River -- |t Chapter Five. The Concert Singer -- |t Chapter Six. Walt Whitman -- |t bibliographic Essay -- |t Index |
| 520 | |a Why did Thomas Eakins, now considered the foremost American painter of the nineteenth century, make portraiture his main field in an era when other major artists disdained such a choice? With a rich discussion of the cultural and vocational context of the late nineteenth and early twentieth centuries, Elizabeth Johns answers this question. | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Eakins, Thomas. |2 swd |
| 600 | 1 | 7 | |a Eakins, Thomas, |d (1844-1916) |2 ram |
| 600 | 1 | 7 | |a Whitman, Walt |d 1819-1892 |2 gnd |
| 600 | 1 | 7 | |a Eakins, Thomas |d 1844-1916 |2 gnd |
| 600 | 1 | 7 | |a Eakins, Thomas, |d 1844-1916 |2 fast |0 (OCoLC)fst00055132 |
| 600 | 1 | 6 | |a Eakins, Thomas, |d 1844-1916. |
| 600 | 1 | 0 | |a Eakins, Thomas, |d 1844-1916. |
| 650 | 7 | |a Peinture de portraits |z États-Unis. |2 ram | |
| 650 | 7 | |a Peinture |z États-Unis |x Themes, motifs. |2 ram | |
| 650 | 7 | |a Bildnis |2 gnd | |
| 650 | 7 | |a Painting |x Psychological aspects. |2 fast |0 (OCoLC)fst01050608 | |
| 650 | 7 | |a ART |x Individual Artists |x General. |2 bisacsh | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 650 | 6 | |a Peinture |x Aspect psychologique. | |
| 650 | 6 | |a Peinture |z États-Unis |y 19e siecle |x Themes, motifs. | |
| 650 | 0 | |a Painting |x Psychological aspects. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/64887/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement VIII | ||
| 945 | |a Project MUSE - Archive History Supplement VIII | ||