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160623t20172017ncu o 00 0 eng d |
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|z 2016029536
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|a 9780822373773
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|z 9781478091165
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|z 9780822362364
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|z 9780822362166
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|a (OCoLC)1103687240
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|a MdBmJHUP
|c MdBmJHUP
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1 |
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|a Karush, Matthew B.
|q (Matthew Benjamin),
|d 1968-
|e author.
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1 |
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|a Musicians in Transit :
|b Argentina and the Globalization of Popular Music /
|c Matthew B. Karush.
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264 |
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|a Durham :
|b Duke University Press,
|c 2017.
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264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2019
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|c ©2017.
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300 |
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|a 1 online resource (280 pages):
|b illustrations
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Black in Buenos Aires : Oscar Alemán and the transnational history of swing -- Argentines into Latins : the jazz histories of Lalo Schifrin and Gato Barbieri -- Cosmopolitan tango : Astor Piazzolla at home and abroad -- The sound of Latin America : Sandro and the invention of balada -- Indigenous Argentina and revolutionary Latin America : Mercedes Sosa and the multiple meanings of folk music -- The music of globalization : Gustavo Santaolalla and the production of rock Latino.
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|a Open Access
|f Unrestricted online access
|2 star
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520 |
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|a In Musicians in Transit Matthew B. Karush examines the transnational careers of seven of the most influential Argentine musicians of the twentieth century: Afro-Argentine swing guitarist Oscar Alemán, jazz saxophonist Gato Barbieri, composer Lalo Schifrin, tango innovator Astor Piazzolla, balada singer Sandro, folksinger Mercedes Sosa, and rock musician Gustavo Santaolalla. As active participants in the globalized music business, these artists interacted with musicians and audiences in the United States, Europe, and Latin America and contended with genre distinctions, marketing conventions, and ethnic stereotypes. By responding creatively to these constraints, they made innovative music that provided Argentines with new ways of understanding their nation's place in the world.
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a Musicians.
|2 fast
|0 (OCoLC)fst01030837
|
650 |
|
7 |
|a Music and transnationalism.
|2 fast
|0 (OCoLC)fst01748148
|
650 |
|
7 |
|a Music and globalization.
|2 fast
|0 (OCoLC)fst01030477
|
650 |
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7 |
|a Music.
|2 fast
|0 (OCoLC)fst01030269
|
650 |
|
7 |
|a MUSIC
|x Reference.
|2 bisacsh
|
650 |
|
7 |
|a MUSIC
|x Genres & Styles
|x Classical.
|2 bisacsh
|
650 |
|
7 |
|a Regional and national history.
|2 bicssc
|
650 |
|
7 |
|a Humanities.
|2 bicssc
|
650 |
|
7 |
|a History.
|2 bicssc
|
650 |
|
7 |
|a History of the Americas.
|2 bicssc
|
650 |
|
6 |
|a Musique et transnationalisme
|z Amerique latine.
|
650 |
|
6 |
|a Musique et mondialisation
|z Amerique latine.
|
650 |
|
6 |
|a Musiciens
|z Argentine.
|
650 |
|
0 |
|a Music and transnationalism
|z Latin America.
|
650 |
|
0 |
|a Music and globalization
|z Latin America.
|
650 |
|
0 |
|a Musicians
|z Argentina.
|
650 |
|
0 |
|a Music
|z Argentina
|y 20th century
|x History and criticism.
|
651 |
|
7 |
|a Latin America.
|2 fast
|0 (OCoLC)fst01245945
|
651 |
|
7 |
|a Argentina.
|2 fast
|0 (OCoLC)fst01205614
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
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|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/64063/
|