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|a 9780299318734
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|z 9780299318741
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|a (OCoLC)1085892103
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|a MdBmJHUP
|c MdBmJHUP
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|a Zimmermann Damer, Erika,
|e author.
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|a In the Flesh :
|b Embodied Identities in Roman Elegy /
|c Erika Zimmermann Damer.
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|a Madison, Wisconsin :
|b The University of Wisconsin Press,
|c [2019]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2019
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|c ©[2019]
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|a 1 online resource (352 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Wisconsin studies in classics
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|a Intro; Contents; Acknowledgments; Introduction: Embodied Selves and the Body in Elegy; Part 1: Our Bodies, Ourselves; 1. Embodied Identity and the Scripta Puella in Propertius; 2. Tibullan Embodiments: Slaves, Soldiers, and the Body as Costume; 3. The Body in Bad Faith: Gender and Embodiment in the Amores; Part 2: Blood, Sex, and Tears: Problems of Embodiment in Roman Elegy; 4. Naked Selves: Sex, Violence, and Embodied Identities; 5. Body Talk: Cynthia Speaks; 6. Not the Elegiac Ideal: Gendering Blood, Wounds, and Gore in Roman Love Elegy; Conclusion; Notes; References; Index Locorum; Index
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|a In the Flesh deeply engages postmodern and new materialist feminist thought in close readings of three significant poets-Propertius, Tibullus, and Ovid-writing in the early years of Rome's Augustan Principate. In their poems, they represent the flesh-and-blood body in both its integrity and vulnerability, as an index of social position along intersecting axes of sex, gender, status, and class. Erika Zimmermann Damer underscores the fluid, dynamic, and contingent nature of identities in Roman elegy, in response to a period of rapid legal, political, and social change.Recognizing this power of material flesh to shape elegiac poetry, she asserts, grants figures at the margins of this poetic discourse-mistresses, rivals, enslaved characters, overlooked members of households-their own identities, even when they do not speak. She demonstrates how the three poets create a prominent aesthetic of corporeal abjection and imperfection, associating the body as much with blood, wounds, and corporeal disintegration as with elegance, refinement, and sensuality.
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|a Description based on print version record.
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650 |
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7 |
|a Love poetry, Latin.
|2 fast
|0 (OCoLC)fst01002912
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650 |
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7 |
|a Human body in literature.
|2 fast
|0 (OCoLC)fst01899762
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650 |
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7 |
|a Elegiac poetry, Latin.
|2 fast
|0 (OCoLC)fst00907836
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650 |
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7 |
|a LITERARY CRITICISM
|x General.
|2 bisacsh
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650 |
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|a LITERARY CRITICISM
|x Poetry.
|2 bisacsh
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650 |
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|a Corps humain dans la litterature.
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650 |
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|a Poesie d'amour latine
|x Histoire et critique.
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650 |
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6 |
|a Poesie elegiaque latine
|x Histoire et critique.
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650 |
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0 |
|a Human body in literature.
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650 |
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0 |
|a Love poetry, Latin
|x History and criticism.
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650 |
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0 |
|a Elegiac poetry, Latin
|x History and criticism.
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655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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7 |
|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/63881/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2019 Complete
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945 |
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|a Project MUSE - 2019 Literature
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