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The Comics of Julie Doucet and Gabrielle Bell : A Place inside Yourself /

"In a self-reflexive way, Julie Doucet's and Gabrielle Bell's comics, though often autobiographical, defy easy categorization. In this volume, editors Tahneer Oksman and Seamus O'Malley regard Doucet's and Bell's art as actively feminist, not only because they offer wom...

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Detalles Bibliográficos
Otros Autores: O'Malley, Seamus (Editor ), Oksman, Tahneer (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Jackson : University Press of Mississippi, [2019]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: a shared space / Tahneer Oksman
  • Genealogies
  • From Julie Doucet to Gabrielle Bell: feminist genealogies of comics anthologies / Margaret Galvan
  • My most secret boredom: (dis)affective narrative in Julie Doucet's "A day in Julie Doucet's life" and Herge's "Adventures with Tintin: the Broken Ear" / Jessica Stark
  • Drawing-across-autobiography
  • Julie Doucet's "Monkey and the Living Dead" as subliminal autobiography / Natalie Pendergast
  • Ghost cats and the specter of self: telling trauma in the works of Gabrielle Bell / Sarah Hildebrand
  • Transgressive aesthetics
  • A very dirty word: cuteness as affective strategy in the comics of Julie Doucet / Sarah Richardson
  • Drawn to life: the diary as method and politics in the comics art of Gabrielle Bell and Julie Doucet / Kylie Cardell
  • Communal visions
  • "At this point I become real" : "experimental autobiography" in Julie Doucet and Michel Gondry's comics/video hybrid My New New York diary / Frederik Byrn Kohlert
  • "Everyone looks through peepholes": voyeurism in the voyeurs / Seamus O'malley
  • Interviews
  • A good life: the Julie Doucet interview by Dan Nadel
  • The starting point: an interview with Julie Doucet by Annie Mok
  • Sometimes in reality you kick the football: a conversation with Gabrielle Bell by James Yeh
  • Gabrielle Bell by Aaron Cometbus
  • A talk with Gabrielle Bell by Annie Mok.