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Queer exceptions : Solo performance in neoliberal times /
Queer expectations is a study of contemporary solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism. With diverse case studies featuring the work of La Ribot, David Hoyle, Oreet Ashery, Bridget Christie, Tanja Ostoj...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Baltimore, Maryland :
Project Muse,
2018
|
| Colección: | Theatre (Manchester, England)
Book collections on Project MUSE. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
| 001 | musev2_63298 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905050521.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 181221r20182019enk o 00 0 eng d | ||
| 020 | |a 9781526113719 | ||
| 020 | |z 9781526113702 | ||
| 020 | |z 9781526113726 | ||
| 020 | |z 9781526113696 | ||
| 035 | |a (OCoLC)1081011649 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 050 | 4 | |a PN1590.G39 |b G747 2019 | |
| 100 | 1 | |a Greer, Stephen, |d 1978- |e author. | |
| 245 | 1 | 0 | |a Queer exceptions : |b Solo performance in neoliberal times / |c Stephen Greer. |
| 264 | 1 | |a Baltimore, Maryland : |b Project Muse, |c 2018 | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (264 pages): |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Theatre: theory, practice, performance | |
| 500 | |a Issued as part of book collections on Project MUSE. | ||
| 504 | |a Includes bibliographical references (pages [223]-243) and index. | ||
| 505 | 0 | ||
| 506 | |a Access restricted to authorized users and institutions. | ||
| 520 | |a Queer expectations is a study of contemporary solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism. With diverse case studies featuring the work of La Ribot, David Hoyle, Oreet Ashery, Bridget Christie, Tanja Ostojic, Adrian Howells and Nassim Soleimanpour, the book examines the role of singular or 'exceptional' subjects in constructing and challenging assumed notions of communal sociability and togetherness, while drawing fresh insight from the fields of sociology, gender studies and political philosophy to reconsider theatre's attachment to singular lives and experiences. Framed by a detailed exploration of arts festivals as encapsulating the material, entrepreneurial circumstances of contemporary performance-making, this is the first major critical study of solo work since the millennium. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Neoliberalism. | |
| 650 | 0 | |a One-person shows (Performing arts) | |
| 650 | 0 | |a Homosexuality in the theater. | |
| 650 | 0 | |a Gays and the performing arts. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse, |e distributor. | |
| 776 | 1 | 8 | |i Print version: |z 9781526113696 |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Theatre (Manchester, England) | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/63298/ |
| 945 | |a Project MUSE - Custom Collection | ||