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Unlimited action : The performance of extremity in the 1970s /
Unlimited action concerns the limits imposed upon art and life, and the means by which artists have exposed, refused, or otherwise reshaped the horizon of aesthetics and of the practice of art, by way of performance art. It examines the 'performance of extremity' as practices at the limits...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Baltimore, Maryland :
Project Muse,
2018
|
| Colección: | Theatre (Manchester, England)
Book collections on Project MUSE. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 001 | musev2_63283 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905050520.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 181221r20182019enk o 00 0 eng d | ||
| 020 | |a 9781526135506 | ||
| 020 | |z 9780719091605 | ||
| 020 | |z 9781526135513 | ||
| 020 | |z 9781526135520 | ||
| 035 | |a (OCoLC)1085625239 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 050 | 4 | |a N6490 |b .J658 2019 | |
| 082 | 0 | |a 700.411 |2 23 | |
| 100 | 1 | |a Johnson, Dominic, |e author. | |
| 245 | 1 | 0 | |a Unlimited action : |b The performance of extremity in the 1970s / |c Dominic Johnson. |
| 264 | 1 | |a Baltimore, Maryland : |b Project Muse, |c 2018 | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (280 pages): |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Theatre: theory, practice, performance | |
| 500 | |a Issued as part of book collections on Project MUSE. | ||
| 504 | |a Includes bibliographical references (pages [206]-213) and index. | ||
| 505 | 0 | |a Introduction : performance-action-extremity -- The preferred ordeal -- A criminal touch -- The dirtying intention -- Impossible things -- The art of sabotage -- Conclusion : reckless people.- | |
| 506 | |a Access restricted to authorized users and institutions. | ||
| 520 | |a Unlimited action concerns the limits imposed upon art and life, and the means by which artists have exposed, refused, or otherwise reshaped the horizon of aesthetics and of the practice of art, by way of performance art. It examines the 'performance of extremity' as practices at the limits of the histories of performance and art, in performance art's most fertile and prescient decade, the 1970s. Dominic Johnson recounts and analyses game-changing performance events by six artists: Kerry Trengove, Ulay, Genesis P-Orridge, Anne Bean, the Kipper Kids, and Stephen Cripps. Through close encounters with these six artists and their works, and a broader contextual milieu of artists and works, Johnson articulates a counter-history of actions in a new narrative of performance art in the 1970s, to rethink and rediscover the history of contemporary art and performance. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Aesthetics. | |
| 650 | 0 | |a Performance art |x History |y 20th century. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse, |e distributor. | |
| 776 | 1 | 8 | |i Print version: |z 9781526135513 |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Theatre (Manchester, England) | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/63283/ |
| 945 | |a Project MUSE - Custom Collection | ||