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musev2_63237 |
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MdBmJHUP |
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20230905050517.0 |
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181221r20182012enk o 00 0 eng d |
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|a 9781526130167
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|z 1526130165
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|z 9780719099243
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|z 9780719087622
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|a (OCoLC)1085613362
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|a MdBmJHUP
|c MdBmJHUP
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|a e-uk---
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|a PR431
|b .G35 2012
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|a 820.935809032
|2 23
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|a Gallagher, Noelle,
|e author.
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|a Historical literatures :
|b Writing about the past in England, 1660-1740 /
|c Noelle Gallagher.
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|a Baltimore, Maryland :
|b Project Muse,
|c 2018
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|a Baltimore, Md. :
|b Project MUSE,
|c 2020
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|c ©2018
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|a 1 online resource (272 pages):
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Issued as part of book collections on Project MUSE.
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|a Includes bibliographical references (pages [227]-247) and index.
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|a 1. Memoir. Memoirs and the history of the individual ; Apostrophe : Colley Cibber's Apology and the development of social history ; Analogy : John Evelyn's Kalendarium and the public diary tradition -- 2. Secret history. Secret histories as histories ; Narrative voices : Daniel Defoe's Secret History of the White-staff in dialogue ; Narrative personae : Delarivier Manley's Secret Memoirs and Manners and the modern chronicle -- 3. Satire and panegyric. Satire and panegyric as forms of historical writing ; Metonymy : Edmund Waller, Andrew Marvell, and the advice-to-a-painter poem ; Metaphor : John Dryden's Absalom and Achitophel and historical allegory -- 4. History reconsidered. Rethinking history at its 'lowest ebb' ; Secret history and Roger North's 'historical controversy' ; History with a 'design' : satire and John Oldmixon's History of England during the reigns of the Royal House of Stuart.
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|a Access restricted to authorized users and institutions.
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|a 'I have called my poem historical, not epic,' John Dryden explained in the dedication to his panegyric Annus Mirabilis, 'though both the actions and actors are as much heroic, as any poem can contain.'While it's unlikely that any critic today would class Annus Mirabilis with Paradise Lost and the Iliad, it seems remarkable that the poem's other purposeits role as 'an historical poem'has so sharply receded from view. Historical Literatures recovers the forgotten historiographical element in works like Dryden's, surveying some of the many different forms in which Restoration and early-eighteenth-century writers represented their nation's past. In the process, it reveals that many of the genres we now view primarily as 'literary'verse satire and panegyric, memoir, scandal chroniclewere also being used to represent historical phenomena. Like Dryden, many Restoration and early-eighteenth-century writers made their choice of historical subject matter into an explicit topic for discussion, presenting themselves as historians or describing their works as contributions to an English historical tradition. Working outside the boundaries of formal historical narrative, writers like Andrew Marvell, Daniel Defoe, Delarivier Manley and John Evelyn were able to develop new techniques for representing the past, ultimately changing the way that their contemporaries understood recent history and the history of the individual.
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|a Description based on print version record.
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650 |
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|a Literature and history
|z Great Britain
|x History
|y 18th century.
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650 |
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|a Literature and history
|z Great Britain
|x History
|y 17th century.
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650 |
|
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|a English literature
|y 18th century
|x History and criticism.
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650 |
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|a English literature
|y 17th century
|x History and criticism.
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|a Electronic books.
|2 local
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710 |
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|a Project Muse,
|e distributor.
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776 |
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|i Print version:
|z 9780719087622
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/63237/
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945 |
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|a Project MUSE - Custom Collection
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