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Late Westerns : The Persistence of a Genre /
"Mitchell argues that the Western continues to engage us because recent films deliberately defy classic patterns yet still appeal to an implicit fondness for genre conventions. Narrative expectations are so deeply stamped on our consciousness that we cannot escape reimposing assumptions on mate...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lincoln :
University of Nebraska Press,
[2018]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | MdBmJHUP | ||
| 005 | 20230905050459.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 181116s2018 nbu o 00 0 eng d | ||
| 020 | |a 9781496210715 | ||
| 020 | |z 9781496201966 | ||
| 035 | |a (OCoLC)1066115364 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Mitchell, Lee Clark, |d 1947- |e author. | |
| 245 | 1 | 0 | |a Late Westerns : |b The Persistence of a Genre / |c Lee Clark Mitchell. |
| 264 | 1 | |a Lincoln : |b University of Nebraska Press, |c [2018] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2018 | |
| 264 | 4 | |c ©[2018] | |
| 300 | |a 1 online resource (342 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Postwestern horizons | |
| 505 | 0 | |a Introduction: There's No Such Things as a Postwestern, and a Good Thing Too -- 1. Ghostly Evocations in Bad Day at Black Rock -- 2. Catching the 3:10 to Yuma -- 3. Border-Crossing in Lone Star -- 4. Alternative Facts in The Three Burials of Melquiades Estrada -- 5. Defying Expectations in A History of Violence and Brokeback Mountain -- 6. Dueling Genres in No Country for Old Men 7. Subverting Late Westerns in The Counselor -- Epilogue: Habits of Imagination. | |
| 520 | |a "Mitchell argues that the Western continues to engage us because recent films deliberately defy classic patterns yet still appeal to an implicit fondness for genre conventions. Narrative expectations are so deeply stamped on our consciousness that we cannot escape reimposing assumptions on materials that barely resemble the classic Western"-- |c Provided by publisher | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Western films. |2 fast |0 (OCoLC)fst01174006 | |
| 650 | 7 | |a Social change in motion pictures. |2 fast |0 (OCoLC)fst01200453 | |
| 650 | 7 | |a Motion pictures |x Social aspects. |2 fast |0 (OCoLC)fst01027384 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 6 | |a Cinema |x Aspect social |z États-Unis |x Histoire |y 21e siecle. | |
| 650 | 6 | |a Cinema |x Aspect social |z États-Unis |x Histoire |y 20e siecle. | |
| 650 | 6 | |a Westerns |z États-Unis |x Histoire et critique. | |
| 650 | 0 | |a Social change in motion pictures. | |
| 650 | 0 | |a Motion pictures |x Social aspects |z United States |x History |y 21st century. | |
| 650 | 0 | |a Motion pictures |x Social aspects |z United States |x History |y 20th century. | |
| 650 | 0 | |a Western films |z United States |x History and criticism. | |
| 651 | 7 | |a West United States. |2 fast |0 (OCoLC)fst01243255 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 651 | 0 | |a West (U.S.) |x In motion pictures. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/62975/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2018 Complete | ||
| 945 | |a Project MUSE - 2018 Film, Theater and Performing Arts | ||