1968 and Global Cinema /

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Detalles Bibliográficos
Otros Autores: Gerhardt, Christina (editor, contributor.), Saljoughi, Sara (editor, contributor.), Stout, Graeme (Contribuidor), Desser, David (Contribuidor), Adamson, Morgan (Contribuidor), Grandis, Rita de (Contribuidor), Hames, Peter (Contribuidor), Giansante, Rocco (Contribuidor), Saint, Lily (Contribuidor), Stam, Robert, 1941- (Contribuidor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Detroit, Michigan : Wayne State University Press, [2018]
Colección:Book collections on Project MUSE.
Temas:
Motion pictures.
PERFORMING ARTS > Reference.
Cinema > Histoire > 20e siecle.
Motion pictures > History > 20th century.
History.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: Looking Back: Global Cinema and the Legacy of New Waves around 1968 / Christina Gerhardt and Sara Saljoughi
  • I. The Long Sixties: Cinematic New Waves
  • 1. The "Long 1968" and Radical Film Aesthetics / Robert Stam
  • 2. "What Am I Doing in the Middle of the Revolution?": Ennio Morricone and The Battle of Algiers / Lily Saint
  • 3. Before the Revolution: The Radical Anxiety of Paulo Rocha's Cinema / Rocco Giansante
  • 4. The Czechoslovak New Wave Revisited / Peter Hames
  • 5. Internationalism and the Early Student Films of the German Film and Television Academy Berlin (dffb) / Christina Gerhardt
  • 6. The Hour of the Furnaces: A Film "Happening" / Rita de Grandis
  • 7. Toward a New Mode of Study: The New Student Left and the Occupation of Cinema in Columbia Revolt and The Battlefront for the Liberation of Japan--Summer in Sanrizuka / Morgan Adamson
  • 8. Oshima, Korea, and 1968: Death by Hanging and Three Resurrected Drunkards / David Desser
  • 9. The Hypothetical and the Experimental: Reading Lindsay Anderson's If ... Alongside Pier Paolo Pasolini's Teorema / Graeme Stout
  • 10. Obscurity, Anthologized: Non-Relation and Enjoyment in Love and Anger (1969) / Mauro Resmini
  • II. Aftershocks
  • 11. Re-presenting the "Just Image": Godard-Gorin's Vent d'est and the Radical Thwartedness of Maoist Solidarity after May 1968 / Man-tat Terence Leung
  • 12. Medium UnCool: Women Shoot Back; Feminism, Film, and 1968-- A Curious Documentary / Paula Rabinowitz
  • 13. Third Cinema in the First World: L.A. Rebellion and the Aesthetics of Confrontation / Allyson Nadia Field
  • 14. The Politics of (In)Action: Humanism, Violence, and Revolution in Satyajit Ray's Pratidwandi/The Adversary / Sarah Hamblin
  • 15. Maysles Films: Some Paradoxes of Direct Cinema in the 1960s and 1970s / J.M. Tyree
  • 16. The Rhetoric of Parapraxis: The 1967 Riots and Hong Kong Film Theory / Victor Fan
  • 17. Cultural Revolution Models on Film: The Third World Politics of Self-Reflexivity in On the Docks (1972) / Laurence Coderre
  • 18. Workers Interrupting the Factory: Helena Lumbreras's Militant Factory Films between Italy and Spain (1968-78) / Pablo La Parra-Perez
  • 19. Political Cinema, Revolution, and Failure: The Iranian New Wave, 1962-79 / Sara Saljoughi.

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