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180908t20182018miu o 00 0 eng d |
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|a 9780814342947
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|z 0814342949
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|a (OCoLC)1066121742
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|a MdBmJHUP
|c MdBmJHUP
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|a 1968 and Global Cinema /
|c edited by Christina Gerhardt and Sara Saljoughi.
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|a Detroit, Michigan :
|b Wayne State University Press,
|c [2018]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2018
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|c ©[2018]
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|a 1 online resource:
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Contemporary approaches to film and media series
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|t Introduction: Looking Back: Global Cinema and the Legacy of New Waves around 1968 /
|r Christina Gerhardt and Sara Saljoughi --
|g I. The Long Sixties: Cinematic New Waves --
|t 1. The "Long 1968" and Radical Film Aesthetics /
|r Robert Stam --
|t 2. "What Am I Doing in the Middle of the Revolution?": Ennio Morricone and The Battle of Algiers /
|r Lily Saint --
|t 3. Before the Revolution: The Radical Anxiety of Paulo Rocha's Cinema /
|r Rocco Giansante --
|t 4. The Czechoslovak New Wave Revisited /
|r Peter Hames --
|t 5. Internationalism and the Early Student Films of the German Film and Television Academy Berlin (dffb) /
|r Christina Gerhardt --
|t 6. The Hour of the Furnaces: A Film "Happening" /
|r Rita de Grandis --
|t 7. Toward a New Mode of Study: The New Student Left and the Occupation of Cinema in Columbia Revolt and The Battlefront for the Liberation of Japan--Summer in Sanrizuka /
|r Morgan Adamson --
|t 8. Oshima, Korea, and 1968: Death by Hanging and Three Resurrected Drunkards /
|r David Desser --
|t 9. The Hypothetical and the Experimental: Reading Lindsay Anderson's If ... Alongside Pier Paolo Pasolini's Teorema /
|r Graeme Stout --
|t 10. Obscurity, Anthologized: Non-Relation and Enjoyment in Love and Anger (1969) /
|r Mauro Resmini --
|g II. Aftershocks --
|t 11. Re-presenting the "Just Image": Godard-Gorin's Vent d'est and the Radical Thwartedness of Maoist Solidarity after May 1968 /
|r Man-tat Terence Leung --
|t 12. Medium UnCool: Women Shoot Back; Feminism, Film, and 1968-- A Curious Documentary /
|r Paula Rabinowitz --
|t 13. Third Cinema in the First World: L.A. Rebellion and the Aesthetics of Confrontation /
|r Allyson Nadia Field --
|t 14. The Politics of (In)Action: Humanism, Violence, and Revolution in Satyajit Ray's Pratidwandi/The Adversary /
|r Sarah Hamblin --
|t 15. Maysles Films: Some Paradoxes of Direct Cinema in the 1960s and 1970s /
|r J.M. Tyree --
|t 16. The Rhetoric of Parapraxis: The 1967 Riots and Hong Kong Film Theory /
|r Victor Fan --
|t 17. Cultural Revolution Models on Film: The Third World Politics of Self-Reflexivity in On the Docks (1972) /
|r Laurence Coderre --
|t 18. Workers Interrupting the Factory: Helena Lumbreras's Militant Factory Films between Italy and Spain (1968-78) /
|r Pablo La Parra-Perez --
|t 19. Political Cinema, Revolution, and Failure: The Iranian New Wave, 1962-79 /
|r Sara Saljoughi.
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|a Description based on print version record.
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650 |
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7 |
|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
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650 |
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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650 |
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|a Cinema
|x Histoire
|y 20e siecle.
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650 |
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|a Motion pictures
|x History
|y 20th century.
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655 |
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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655 |
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|a Electronic books.
|2 local
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700 |
1 |
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|a Gerhardt, Christina,
|e editor, contributor.
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1 |
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|a Saljoughi, Sara,
|e editor, contributor.
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|a Stout, Graeme,
|e contributor.
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1 |
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|a Desser, David,
|e contributor.
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1 |
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|a Adamson, Morgan,
|e contributor.
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|a Grandis, Rita de,
|e contributor.
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|a Hames, Peter,
|e contributor.
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|a Giansante, Rocco,
|e contributor
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|a Saint, Lily,
|e contributor.
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|a Stam, Robert,
|d 1941-
|e contributor.
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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856 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/62833/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2018 Complete
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945 |
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|a Project MUSE - 2018 Film, Theater and Performing Arts
|