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180807s2018 iau o 00 0 eng d |
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|z 2018037921
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|a 9781609386191
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|z 9781609386184
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035 |
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|a (OCoLC)1048661640
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040 |
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|a MdBmJHUP
|c MdBmJHUP
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100 |
1 |
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|a Pande, Rukmini,
|d 1984-
|e author.
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245 |
1 |
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|a Squee from the Margins :
|b Fandom and Race /
|c by Rukmini Pande.
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264 |
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1 |
|a Iowa City :
|b University of Iowa Press,
|c [2018]
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264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2018
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264 |
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4 |
|c ©[2018]
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300 |
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|a 1 online resource (249 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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338 |
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|a online resource
|b cr
|2 rdacarrier
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490 |
0 |
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|a Fandom & culture
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505 |
0 |
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|a Dial me up, Scotty: interrupting histories of media fandom -- Can you stop the signal?: global citizens, networked identities: online media fandom as a postcolonial cyberspace -- Aang still ain't white: postcolonial praxis: fandom activism, identity negotiation, and transformative practices -- Recalibration necessary, Mr. Spock: Race and the dynamics of media fandom -- But, how is that sexy?: an examination of the fanfiction kinkmeme.
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520 |
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|a "Rukmini Pande's ground-breaking examination of race in fan studies is sure to make an immediate contribution to the growing field. Until now, virtually no sustained examination of race-and racism-in transnational fan cultures has taken place, a lack that is especially ironic since current fan spaces have never been more vocal about debating issues of privilege and discrimination. Pande's study challenges dominant ideas of who fans are and how these complex transnational/cultural spaces function, expanding the scope of the field significantly. The study's theoretical mapping, in a departure from conventional fandom studies, positions media fandom as a postcolonial cyberspace. This is a significant move as it illustrates how innovative modes of analysis can impel scholars to take a more inclusive view of fan identity. By including fan interviews, Pande's analysis spans both the historical and the contemporary moment to build a case for the ways in which non-white fans have always been present in such spaces, though consistently ignored"--
|c Provided by publisher.
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588 |
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|a Description based on print version record.
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650 |
|
7 |
|a Literature and the Internet.
|2 fast
|0 (OCoLC)fst01000106
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650 |
|
7 |
|a Fan fiction.
|2 fast
|0 (OCoLC)fst01739872
|
650 |
|
7 |
|a SOCIAL SCIENCE
|x General.
|2 bisacsh
|
650 |
|
7 |
|a BIOGRAPHY & AUTOBIOGRAPHY
|x Literary.
|2 bisacsh
|
650 |
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6 |
|a Fanfiction
|x Histoire et critique.
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650 |
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0 |
|a Literature and the Internet.
|
650 |
|
0 |
|a Fan fiction
|x History and criticism.
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655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
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|a Project Muse.
|e distributor
|
830 |
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0 |
|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/62687/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2018 Complete
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945 |
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|a Project MUSE - 2018 Film, Theater and Performing Arts
|