Cargando…

Modernist Soundscapes : Auditory Technology and the Novel /

This study questions how early twentieth-century auditory technologies altered sound perception, and how these developments shaped the modernist novel. Without polarizing vision and audition, this book reveals how modernists tend to use auditory perception to connect characters, shifting the subject...

Descripción completa

Detalles Bibliográficos
Autor principal: Frattarola, Angela (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Gainesville : University Press of Florida, [2018]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a22000004a 4500
001 musev2_62650
003 MdBmJHUP
005 20230905050439.0
006 m o d
007 cr||||||||nn|n
008 181108s2018 flu o 00 0 eng d
020 |a 9780813052434 
035 |a (OCoLC)1061860730 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Frattarola, Angela,  |e author. 
245 1 0 |a Modernist Soundscapes :   |b Auditory Technology and the Novel /   |c Angela Frattarola. 
264 1 |a Gainesville :  |b University Press of Florida,  |c [2018] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2018 
264 4 |c ©[2018] 
300 |a 1 online resource (204 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a The modernist soundscape: ocularcentrism and auditory technologies -- Music and the prosody of voice: Dorothy Richardson and the transformation from silent film to the talkie -- Recording the soundscape: Virginia Woolf's onomatopoeia and the phonograph -- Turning up the volume of inner speech: headphones and James Joyce's interior monologue -- Inner speech as a gramophone record: Jean Rhys's Bohemian voice and popular music -- Turning words into sounds: Samuel Beckett's repetition and the tape recorder. 
520 |a This study questions how early twentieth-century auditory technologies altered sound perception, and how these developments shaped the modernist novel. Without polarizing vision and audition, this book reveals how modernists tend to use auditory perception to connect characters, shifting the subject from a distanced, judgmental observer to a reverberating body, attuned to the moment. 
588 |a Description based on print version record. 
650 7 |a Technology in literature.  |2 fast  |0 (OCoLC)fst01145292 
650 7 |a Sound  |x Recording and reproducing.  |2 fast  |0 (OCoLC)fst01126957 
650 7 |a Sound in literature.  |2 fast  |0 (OCoLC)fst01127004 
650 7 |a Modernism (Literature)  |2 fast  |0 (OCoLC)fst01024455 
650 7 |a BIOGRAPHY & AUTOBIOGRAPHY  |x Literary.  |2 bisacsh 
650 6 |a Son  |x Enregistrement et reproduction. 
650 6 |a Modernisme (Litterature) 
650 6 |a Technologie dans la litterature. 
650 0 |a Sound  |x Recording and reproducing. 
650 0 |a Modernism (Literature) 
650 0 |a Sound in literature. 
650 0 |a Technology in literature. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/62650/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2018 Complete 
945 |a Project MUSE - 2018 Literature