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171018s2018 cau o 00 0 eng d |
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|z 2017050356
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|a 9780520969162
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|z 0520969162
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|z 9780520296855
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|z 9780520296848
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|a (OCoLC)1007498595
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|a MdBmJHUP
|c MdBmJHUP
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|a Couret, Nilo,
|d 1984-
|e author.
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|a Mock Classicism :
|b Latin American Film Comedy, 1930-1960 /
|c Nilo Couret.
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|a Oakland, California :
|b University of California Press,
|c [2018]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2018
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|c ©[2018]
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|a 1 online resource (296 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Cantinflismo and Relajo's peripheral vision -- The call of the screen: Niní Marshall and the radiophonic stardom of Argentine cinema -- Timing is everything : Sandrini's stutter and the representability of time -- Fictions of the real : the currency of the Brazilian Chanchada -- Comedy circulates circuitously : toward an odographic film history of Latin America.
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|a "In Mock classicism Nilo Couret presents an alternate history of Latin American cinema that traces the popularity and cultural significance of film comedies as responses to modernization and the forerunners to a more explicitly political New Latin American Cinema of the 1960s. By examining the linguistic play of comedians such as Cantinflas, Oscarito and Grande Otelo, Niní Marshall, and Luis Sandrini, the author demonstrates aspects of Latin American comedy that operate via embodiment on one hand and spatiotemporal emplacement on the other. Taken together, these parallel examples of comedic practice demonstrate how Latin American film comedies produce a 'critically proximate' spectator who is capable of perceiving and organizing space and time differently. Combining close readings of films, archival research, film theory, and Latin American history, Mock classicism rethinks classicism as a discourse that mediates and renders the world and argues that Latin American cinema became classical in distinct ways from Hollywood."--Provided by publisher.
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|a Description based on print version record.
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650 |
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7 |
|a Motion pictures
|x Production and direction.
|2 fast
|0 (OCoLC)fst01027357
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650 |
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7 |
|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
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650 |
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7 |
|a Motion picture actors and actresses.
|2 fast
|0 (OCoLC)fst01027096
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650 |
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7 |
|a Comedy films.
|2 fast
|0 (OCoLC)fst00869095
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650 |
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7 |
|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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650 |
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7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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650 |
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6 |
|a Cinema
|x Production et realisation
|z Amerique latine
|y 20e siecle.
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650 |
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6 |
|a Cinema
|z Amerique latine
|x Histoire
|y 20e siecle.
|
650 |
|
6 |
|a Films comiques
|z Amerique latine
|x Histoire et critique
|y 20e siecle.
|
650 |
|
0 |
|a Motion pictures
|x Production and direction
|z Latin America
|y 20th century.
|
650 |
|
0 |
|a Motion picture actors and actresses
|z Latin America
|y 20th century.
|
650 |
|
0 |
|a Motion pictures
|z Latin America
|x History
|y 20th century.
|
650 |
|
0 |
|a Comedy films
|z Latin America
|x History and criticism
|y 20th century.
|
651 |
|
7 |
|a Latin America.
|2 fast
|0 (OCoLC)fst01245945
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655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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0 |
|a Book collections on Project MUSE.
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856 |
4 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/62599/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2018 Complete
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945 |
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|a Project MUSE - 2018 Film, Theater and Performing Arts
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945 |
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|a Project MUSE - 2018 Latin American and Caribbean Studies
|