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The Centaur Types

In 1948, the world-renowned book designer Bruce Rogers wrote a brief text that documented and illustrated his creation of the Centaur typeface several decades earlier: The Centaur Types. The book was privately printed by Rogers himself under the name of his design studio, October House. This limited...

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Detalles Bibliográficos
Autor principal: Rogers, Bruce
Otros Autores: Beletsky, Misha
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ashland : Purdue University Press, 2018.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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008 180203s2018 xx o 00 0 eng d
020 |a 9781612494906 
035 |a (OCoLC)1065386352 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Rogers, Bruce. 
245 1 4 |a The Centaur Types 
264 1 |a Ashland :  |b Purdue University Press,  |c 2018. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2018 
264 4 |c ©2018. 
300 |a 1 online resource (100 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Cover; Copyright; Preamble; Introduction; Centaur its Forebears, Genesis, Development & Offspring; Monotype Centaur; Appendage; Tail-Piece. 
520 |a In 1948, the world-renowned book designer Bruce Rogers wrote a brief text that documented and illustrated his creation of the Centaur typeface several decades earlier: The Centaur Types. The book was privately printed by Rogers himself under the name of his design studio, October House. This limited edition of the book was transferred to the Purdue University Libraries at the time of his death along with his other papers and books. Over the years remaining stock of the original private printing has found its home in the Special Collections of the Libraries, and although known as something of a collector's item by those who are aware of the few copies in circulation, it is here available to the general market for the first time in both paperback and digital versions. The Centaur Types is a fascinating book for several reasons: in the designer's own words, we learn of the evolution of the typeface and of his interest in the art and craft of creating type; it demonstrates different and comparable typefaces, and gives examples of Centaur from six to seventy-two point; and it stands as a fitting example of fine bookmaking from one of the master book designers of the twentieth century. 
588 |a Description based on print version record. 
600 1 7 |a Rogers, Bruce,  |d 1870-1957.  |2 fast  |0 (OCoLC)fst00051972 
600 1 0 |a Rogers, Bruce,  |d 1870-1957. 
650 7 |a Centaur roman type.  |2 fast  |0 (OCoLC)fst00850623 
650 7 |a DESIGN / Graphic Arts / Typography  |2 bisacsh 
650 7 |a TECHNOLOGY & ENGINEERING  |x Technical & Manufacturing Industries & Trades.  |2 bisacsh 
650 7 |a DESIGN  |x Book.  |2 bisacsh 
650 7 |a CRAFTS & HOBBIES  |x Book Printing & Binding.  |2 bisacsh 
650 0 |a Centaur roman type  |z United States  |x History. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
700 1 |a Beletsky, Misha. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/62525/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2018 Complete 
945 |a Project MUSE - 2018 Global Cultural Studies