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I'm Not Like Everybody Else : Biopolitics, Neoliberalism, and American Popular Music /
Despite the presence of the Flaming Lips in a commercial for a copier and Iggy Pop's music in luxury cruise advertisements, the author argues that popular music has not exactly been co-opted in the American capitalist present. Contemporary neoliberal capitalism has, in fact, found a central org...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lincoln :
University of Nebraska Press,
2018.
|
| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9781496210975 | ||
| 020 | |z 9781496208651 | ||
| 035 | |a (OCoLC)1056617725 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Nealon, Jeffrey T. |q (Jeffrey Thomas), |e author. | |
| 245 | 1 | 0 | |a I'm Not Like Everybody Else : |b Biopolitics, Neoliberalism, and American Popular Music / |c Jeffrey T. Nealon. |
| 264 | 1 | |a Lincoln : |b University of Nebraska Press, |c 2018. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2018 | |
| 264 | 4 | |c ©2018. | |
| 300 | |a 1 online resource (144 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Provocations | |
| 505 | 0 | |a Intro; Series Page; Title Page; Copyright Page; Contents; Acknowledgments; Provocations; Introduction; 1. Biopower Blues; 2. Steal Your Face; 3. Not for Sale; 4. A Genealogy of Popular Music and Authenticity; 5. Good Rockin' Tonite; 6. Musical Community, from In- to Excorporation; 7. Capitalism, from Meaning to Usage; 8. In the Mood; 9. Will There Be Music?; 10. Bourdieu, Bourdon't; 11. Everywhere, All the Time; Notes; About Jeffrey T. Nealon; Series List. | |
| 520 | |a Despite the presence of the Flaming Lips in a commercial for a copier and Iggy Pop's music in luxury cruise advertisements, the author argues that popular music has not exactly been co-opted in the American capitalist present. Contemporary neoliberal capitalism has, in fact, found a central organizing use for the values of twentieth-century popular music: being authentic, being your own person, and being free. In short, not being like everybody else. Through a consideration of the shift in dominant modes of power in the American twentieth and twenty-first centuries, from what Michel Foucault calls a dominant "disciplinary" mode of power to a "biopolitical" mode, the author argues that the modes of musical "resistance" need to be completely rethought and that a commitment to musical authenticity or meaning - saying "no" to the mainstream - is no longer primarily where we might look for music to function against the grain | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Popular music |x Political aspects. |2 fast |0 (OCoLC)fst01071452 | |
| 650 | 7 | |a Neoliberalism. |2 fast |0 (OCoLC)fst01737382 | |
| 650 | 7 | |a Biopolitics. |2 fast |0 (OCoLC)fst00832668 | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 6 | |a Biopolitique |z États-Unis. | |
| 650 | 6 | |a Neo-liberalisme |z États-Unis. | |
| 650 | 6 | |a Musique populaire |x Aspect politique |z États-Unis. | |
| 650 | 0 | |a Biopolitics |z United States. | |
| 650 | 0 | |a Neoliberalism |z United States. | |
| 650 | 0 | |a Popular music |x Political aspects |z United States. | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/61816/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2018 Complete | ||
| 945 | |a Project MUSE - 2018 Film, Theater and Performing Arts | ||