Cargando…

Past Looking : Historical Imagination and the Rhetoric of the Image /

Michael Ann Holly asserts that historical interpretation of the pictorial arts is always the intellectual product of a dynamic exchange between past and present. Recent theory emphasizes the subjectivity of the historian and the ways in which any interpretation betrays the presence of an interpreter...

Descripción completa

Detalles Bibliográficos
Autor principal: Holly, Michael Ann
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca : Cornell University Press, 1996.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a22000004a 4500
001 musev2_61726
003 MdBmJHUP
005 20230905050349.0
006 m o d
007 cr||||||||nn|n
008 101112s1996 nyu o 00 0 eng d
020 |a 9781501725692 
020 |z 9780801483028 
020 |z 9780801432095 
035 |a (OCoLC)1132223788 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Holly, Michael Ann. 
245 1 0 |a Past Looking :   |b Historical Imagination and the Rhetoric of the Image /   |c Michael Ann Holly. 
264 1 |a Ithaca :  |b Cornell University Press,  |c 1996. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©1996. 
300 |a 1 online resource (256 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 0 |t Frontmatter --  |t Contents --  |t Illustrations --  |t Preface --  |t 1. Telling a Picture --  |t 2. Picturing Cultural History --  |t 3. Looking into the Past --  |t 4. Imagining the Baroque --  |t 5. Writing Leonardo Backwards --  |t 6. Witnessing an Annunciation --  |t 7. Reading Critical Theory --  |t Index 
520 |a Michael Ann Holly asserts that historical interpretation of the pictorial arts is always the intellectual product of a dynamic exchange between past and present. Recent theory emphasizes the subjectivity of the historian and the ways in which any interpretation betrays the presence of an interpreter. In Past Looking, she challenges that view, arguing that historical objects of representational art are actively engaged in prefiguring the kinds of histories that can be written about them. Holly directs her attention to early modern works of visual art and their rhetorical roles in legislating the kind of tales told bout them by a few classic cultural commentaries of the nineteenth and twentieth centuries: Burckhardt's synchronic vision of the Italian Renaissance, Wölfflin's exemplification of the Baroque, Schapiro's and Freud's dispute over the meanings of Leonardo's art, and Panofsky's exegesis of the disguised symbolism of Northern Renaissance painting. 
588 |a Description based on print version record. 
650 0 7 |a Geschichte 1860-1960.  |2 swd 
650 1 7 |a Kunstgeschiedenis (wetenschap)  |2 gtt 
650 1 7 |a Interpretatie.  |2 gtt 
650 1 7 |a Beeldende kunsten.  |2 gtt 
650 7 |a Kunstgeschichtsschreibung  |2 gnd 
650 7 |a Visuelle Kommunikation  |2 gnd 
650 7 |a Kulturgeschichtsschreibung  |2 gnd 
650 7 |a Kunst  |2 gnd 
650 7 |a Visual communication in art.  |2 fast  |0 (OCoLC)fst01168010 
650 7 |a Art  |x Philosophy.  |2 fast  |0 (OCoLC)fst00815307 
650 7 |a Art  |x Historiography.  |2 fast  |0 (OCoLC)fst00815259 
650 7 |a ART  |x Criticism & Theory.  |2 bisacsh 
650 6 |a Art  |x Historiographie. 
650 6 |a Art  |x Philosophie. 
650 6 |a Communication visuelle dans l'art. 
650 0 |a Art  |x Historiography. 
650 0 |a Art  |x Philosophy. 
650 0 |a Visual communication in art. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/61726/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement VIII 
945 |a Project MUSE - Archive History Supplement VIII