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Paranoia and Modernity : Cervantes to Rousseau /

"Don Quixote is the first great modern paranoid adventurer.... Grandiosity and persecution define the characters of Swift's Gulliver, Stendhal's Julien Sorel, Melville's Ahab, Dostoyevsky's Underground Man, Ibsen's Masterbuilder Solness, Strindberg's Captain (in Th...

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Detalles Bibliográficos
Autor principal: Farrell, John, 1957-
Autor Corporativo: Project Muse
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca, N.Y. : Cornell University Press, 2006.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Farrell, John,  |d 1957- 
245 1 0 |a Paranoia and Modernity :   |b Cervantes to Rousseau /   |c John Farrell. 
264 1 |a Ithaca, N.Y. :  |b Cornell University Press,  |c 2006. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2006. 
300 |a 1 online resource (352 pages). 
336 |a text  |b txt  |2 rdacontent 
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500 |a Includes index. 
505 0 |a Agent and other -- The responsible knight -- The knight errant -- Luther and the devil's world -- The terrors of reform -- The science of suspicion -- The demons of Descartes and Hobbes -- Pascal and power -- The art of polite disguise -- Swift and the satiric absolute -- A flight from humanity -- Invisible agents -- Rousseau's great plot -- An attempted escape -- Epilogue : paranoia and postmodernism. 
520 |a "Don Quixote is the first great modern paranoid adventurer.... Grandiosity and persecution define the characters of Swift's Gulliver, Stendhal's Julien Sorel, Melville's Ahab, Dostoyevsky's Underground Man, Ibsen's Masterbuilder Solness, Strindberg's Captain (in The Father), Kafka's K., and Joyce's autobiographical hero Stephen Dedalus.... The all-encompassing conspiracy, very much in its original Rousseauvian cast, has become almost the normal way of representing society and its institutions since World War Two, giving impetus to heroic plots and counter-plots in a hundred films and in the novels of Burroughs, Heller, Ellison, Pynchon, Kesey, Mailer, DeLillo, and others."-from Paranoia and ModernityParanoia, suspicion, and control have preoccupied key Western intellectuals since the sixteenth century. Paranoia is a dominant concern in modern literature, and its peculiar constellation of symptoms-grandiosity, suspicion, unfounded hostility, delusions of persecution and conspiracy-are nearly obligatory psychological components of the modern hero.How did paranoia come to the center of modern moral and intellectual consciousness? In Paranoia and Modernity, John Farrell brings literary criticism, psychology, and intellectual history to the attempt at an answer. He demonstrates the connection between paranoia and the long history of struggles over the question of agency-the extent to which we are free to act and responsible for our actions. He addresses a wide range of major authors from the late Middle Ages to the eighteenth century, among them Luther, Bacon, Cervantes, Descartes, Hobbes, Pascal, La Rochefoucauld, Swift, and Rousseau. Farrell shows how differently paranoid psychology looks at different historical junctures with different models of agency, and in the epilogue, "Paranoia and Postmodernism," he draws the implications for recent critical debates in the humanities. 
588 |a Description based on print version record. 
650 7 |a Personality and culture.  |2 fast  |0 (OCoLC)fst01058705 
650 7 |a Paranoia in literature.  |2 fast  |0 (OCoLC)fst01053037 
650 7 |a Civilization, Modern  |x Psychological aspects.  |2 fast  |0 (OCoLC)fst00863099 
650 7 |a Agent (Philosophy)  |2 fast  |0 (OCoLC)fst00800204 
650 7 |a LITERARY CRITICISM  |x Semiotics & Theory.  |2 bisacsh 
650 6 |a Paranoïa  |x Philosophie. 
650 6 |a Paranoïa dans la litterature. 
650 6 |a Personnalite et culture. 
650 0 |a Civilization, Modern  |x Psychological aspects. 
650 0 |a Paranoia  |x Philosophy. 
650 0 |a Paranoia in literature. 
650 0 |a Agent (Philosophy) 
650 0 |a Personality and culture. 
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945 |a Project MUSE - Archive Complete Supplement VIII 
945 |a Project MUSE - Archive Literature Supplement VIII