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Freak Performances : Dissidence in Latin American Theater /

"The figure of the freak as perceived by the Western gaze has always been a part of the Latin American imaginary, from the letters that Columbus wrote about his encounters with dog-faced people to Shakespeare's Caliban. The freak acquires greater significance in a globalized, neoliberal wo...

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Detalles Bibliográficos
Autor principal: Santana, Analola (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ann Arbor : University of Michigan Press, 2018.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Santana, Analola,  |e author. 
245 1 0 |a Freak Performances :   |b Dissidence in Latin American Theater /   |c Analola Santana. 
264 1 |a Ann Arbor :  |b University of Michigan Press,  |c 2018. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2018 
264 4 |c ©2018. 
300 |a 1 online resource (266 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Intro; Contents; Introduction. The Freak Onstage: From Colonialism to Neoliberalism; One. From Monster to Freak: A Latin American Genealogy of Corporeal Difference; Two. Danger Unleashed: The Pathology of Difference as Deviance in the Latin American Neoliberal State; Three. The Savage Exotic: Gender and Class in the Construction of Freakery; Four. Violence and Politics on the Freak: The Perversion of Citizenship; Conclusions; Notes; Bibliography; Index 
520 |a "The figure of the freak as perceived by the Western gaze has always been a part of the Latin American imaginary, from the letters that Columbus wrote about his encounters with dog-faced people to Shakespeare's Caliban. The freak acquires greater significance in a globalized, neoliberal world that defines the "abnormal" as one who does not conform mentally, physically, or emotionally and is unable or unwilling to follow the economic and cultural norms of the institutions in power. Freak Performances examines the continuing effects of colonialism on modern Latin American identities, with a particular focus on the way it has constructed the body of the other through performance. Theater questions the representations of these bodies, as it enables the empowerment of the silenced other; the freak as a spectacle of otherness finds in performance an opportunity for re-appropriation by artists resisting the dominant authority. Through an analysis of experimental theater, dance theater, performance art, and gallery-based installation art across eight countries, Analola Santana explores the theoretical issues shaped by the encounters and negotiations between different bodies in the current Latin American landscape"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Theater  |x Political aspects.  |2 fast  |0 (OCoLC)fst01149276 
650 7 |a Theater and society.  |2 fast  |0 (OCoLC)fst01149315 
650 7 |a Postcolonialism  |x Social aspects.  |2 fast  |0 (OCoLC)fst01982445 
650 7 |a Monsters in the theater.  |2 fast  |0 (OCoLC)fst01983516 
650 7 |a HISTORY  |z Latin America  |x General.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Theater  |x General.  |2 bisacsh 
650 6 |a Postcolonialisme  |x Aspect social  |z Amerique latine. 
650 6 |a Monstres au theâtre. 
650 6 |a Theâtre et societe  |z Amerique latine. 
650 6 |a Theâtre  |x Aspect politique  |z Amerique latine. 
650 0 |a Postcolonialism  |x Social aspects  |z Latin America. 
650 0 |a Other (Philosophy) in the performing arts. 
650 0 |a Monsters in the theater. 
650 0 |a Theater and society  |z Latin America. 
650 0 |a Theater  |x Political aspects  |z Latin America. 
651 7 |a Latin America.  |2 fast  |0 (OCoLC)fst01245945 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/61427/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2018 Complete 
945 |a Project MUSE - 2018 Film, Theater and Performing Arts 
945 |a Project MUSE - 2018 Latin American and Caribbean Studies