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091201s2009 nju o 00 0 eng d |
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|a 9781400831197
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|z 9780691008509
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|z 9780691031361
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|a (OCoLC)1132220246
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|a MdBmJHUP
|c MdBmJHUP
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|a Kaes, Anton.
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|a Shell Shock Cinema :
|b Weimar Culture and the Wounds of War /
|c Anton Kaes.
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|a Princeton :
|b Princeton University Press,
|c 2009.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2020
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|c ©2009.
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|a 1 online resource (328 pages):
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a The war at home. The wounded soldier -- The spirit of 1914 -- Film and nation -- The battle of images -- A medium for deception -- The new empire -- Mental breakdowns -- Tales from the asylum. War neurotics -- Recovering the past -- Phantoms and freaks -- From Dr. Charcot to Dr. Caligari -- Madness as resistance -- The Hitler connection -- Shattered space -- The return of the undead. The lost generation -- Mass death -- Dracula revisited -- A community under siege -- Hysteria on the home front -- The allure of the occult -- The work of mourning -- Myth, murder, and revenge. The national project -- Posing for Germany -- The will to form -- The fallen hero -- Excursus: Lang in World War I -- The sacred battle -- The end of violence -- The industrial battlefield. Rise of the machines -- Moloch war -- Lang's America -- The hunger for religion -- The workers' revolt -- Destruction and regeneration -- Aftershocks -- Conclusion.
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|a Shell Shock Cinema explores how the classical German cinema of the Weimar Republic was haunted by the horrors of World War I and the the devastating effects of the nation's defeat. In this exciting new book, Anton Kaes argues that masterworks such as The Cabinet of Dr. Caligari, Nosferatu, The Nibelungen, and Metropolis, even though they do not depict battle scenes or soldiers in combat, engaged the war and registered its tragic aftermath. These films reveal a wounded nation in post-traumatic shock, reeling from a devastating defeat that it never officially acknowledged, let alone accepted. Kae.
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|a Description based on print version record.
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650 |
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7 |
|a War and motion pictures.
|2 fast
|0 (OCoLC)fst01919878
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650 |
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7 |
|a Silent films.
|2 fast
|0 (OCoLC)fst01118542
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650 |
|
7 |
|a Psychic trauma in motion pictures.
|2 fast
|0 (OCoLC)fst01201487
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650 |
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7 |
|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
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650 |
|
7 |
|a Influence (Literary, artistic, etc.)
|2 fast
|0 (OCoLC)fst00972484
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650 |
|
7 |
|a Culture in motion pictures.
|2 fast
|0 (OCoLC)fst01902963
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650 |
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7 |
|a ART
|x Film & Video.
|2 bisacsh
|
650 |
|
7 |
|a LITERARY CRITICISM
|x European
|x German.
|2 bisacsh
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650 |
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6 |
|a Culture au cinema.
|
650 |
|
6 |
|a Traumatisme psychique au cinema.
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650 |
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6 |
|a Films muets
|z Allemagne
|x Histoire et critique.
|
650 |
|
6 |
|a Guerre mondiale, 1914-1918
|x Influence.
|
650 |
|
6 |
|a Cinema
|z Allemagne
|x Histoire
|y 20e siecle.
|
650 |
|
0 |
|a Culture in motion pictures.
|
650 |
|
0 |
|a Psychic trauma in motion pictures.
|
650 |
|
0 |
|a War and motion pictures.
|
650 |
|
0 |
|a Silent films
|z Germany
|x History and criticism.
|
650 |
|
0 |
|a World War, 1914-1918
|x Influence.
|
650 |
|
0 |
|a World War, 1914-1918
|x Motion pictures and the war.
|
650 |
|
0 |
|a Motion pictures
|z Germany
|x History
|y 20th century.
|
651 |
|
7 |
|a Germany.
|2 fast
|0 (OCoLC)fst01210272
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
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|a Project Muse.
|e distributor
|
830 |
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0 |
|a Book collections on Project MUSE.
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856 |
4 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/61034/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Complete Supplement VIII
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945 |
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|a Project MUSE - Archive Film, Theater and Performing Arts Supplement VIII
|