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Quentin Tarantino : Poetics and Politics of Cinematic Metafiction /
"Quentin Tarantino's films beg to be considered metafiction: metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical, and political potential of creation as re-re-creation and resignification. Covering all eight of Quentin Tarantino's...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Jackson :
University Press of Mississippi,
[2018]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; QUENTIN TARANTINO; Title; Copyright; CONTENTS; Acknowledgments; Introduction; CHAPTER ONE "What Shall the History Books Read?" History and Film History; CHAPTER TWO "Black Man, White Hell" Identity Politics Vol. 1: Race and Ethnicity; CHAPTER THREE "That's the Excuse You Guys Use Whenever You Want to Exclude Me from Something" Identity Politics Vol. 2: Gender (and Sexuality); CHAPTER FOUR "Revenge Is Never a Straight Line" A Neoformalist Approach Vol. 1: Narrative Structures and Paradigms
- CHAPTER FIVE "Everything's the Same Except for One Change" A Neoformalist Approach Vol. 2: Narration and StyleCHAPTER SIX "Lookin' Back on the Track, Gonna Do It My Way" The Use of Preexisting Music; CHAPTER SEVEN "Come On, Let's Get into Character" Acting and Theatricality; CHAPTER EIGHT "He's Just Not Used to Seein' a Man Ripped Apart by Dogs Is All" Violence and Spectacle; Conclusion; Notes; Filmography and Bibliography; Index